RECOVERY FROM WHAT PEOPLE CALL MENTAL ILLNESS

I’ll always remember; I have to remember
That month behind locked psych wing doors
I also remember the grandiose ideation
When I saw my doctoral dissertation recovering
A spirituality in this dead, secular age beyond recovery
Signifiers of the bipolar diagnosis I will always have
And I am mentally ill, will be thought mentally ill
If anyone finds out, like the job application that asked what meds I’m on
Or the dentist who took a couple steps backward
And asked me when my last episode was when I disclosed bipolar meds
With sadness, I think of 27 years embracing the mental health sub-culture
Believing it was a life—king of the Drop-In Center
Devoting what drive depression and sedating meds hadn’t sapped
What intelligence still shone through medicated fog
Devoting what was left in me to behavioral health sciences;
Publishing my story in a university press; bespeaking me
At international national conferences; brought in year after year to talk
To student nurses; until one year I narrated my accomplishments, asked
“Does it make sense to call me mentally ill?” and was never asked back
Actively sought out by psychiatric treatment teams to represent us

I emerge into the ordinary world

That community which doesn’t require chronic professional helpers
Which doesn’t slouch all endeavor staring at the TV
Vacuously not really watching, when I could be practicing
Scales, arpeggios, chord voicings, playing through old standards
Like the other musicians my age who did for 27 years and they grew
While my sapped drive, called avolition in textbooks, sapped
Year after year my technique 27 years of which I envy in others
And probably will never recapture and make my own like mental illness
All manner of healing techniques and med adjustments
Release the electronic locks and I laboriously push open the doors
Into the ordinary world out of the psych wing
My will strengthens, stronger, strong as it used to be
And when you have the will, you accomplish, can accomplish anything
Not cave before thinking about rising out of bed to do
No, but to rise up from a 27-year bedridden psyche
To strive at overcoming mental lethargy, technical atrophy

Re-enter the atmosphere we call chronically normal

Like the hospital bus dropped me off on the street corner
To fend for myself when I was deemed well enough for release,
Find out what it means to be mentally ill and quarrel
Over the $50,000 bill, which I wasn’t well enough to do
With my student loan money bloating my savings account
Over indigent status and the money I owed the student loan officer
Meant I owed the hospital.  Alone on the street-corner with a $50,000

Broken mind.

It’s not as much bitterness as it is the cost of recovery
The work-out to build up a flaccid psyche, rising
Up out of sedating meds, sedated desires, to take on a world
Even Rip Van Winkle might give up trying in
And sleep another 27 years, or the rest of my life
In the Drop-In Center, where I am king
And there’s nothing you really have to do
If you don’t want

SOLSTICE LAMENT

I never noticed shadows so long
That played against the bright sunlight in a strobe effect
At 8:30 PM this longest day of the year
Driving home after the outdoor concert in a parking lot
The tree shadows against the sunlight rapid
Driving me into nearly an altered state of mind
But I had to stay in this world, as I was on the road
And the natural strobe effect could have disastrous
Consequences if I didn’t keep my mind on the road
It was no time to notice the eerie light
Almost another dimension, maybe so to Druidic Salisbury Plain
And the Stonehenge alignments break sunrise through
Enigmatic megaliths and over the heel stone only today
I’d build a monument to such another dimension of light
I wish my city had some way to reverence the Solstice
That I had some way to reverence it
That my church had some way to reverence it
So there would be more than a natural strobe effect
On my consciousness driving among blacktop and trees.
And that’s it.  Me noticing strange shadows playing against sunlight
At 8:30 PM, driving on the blacktop road

“Great God I’d rather be a pagan suckled in a creed outworn!”

But I’m not.  Driving home, after the parking lot concert,
In bright sunlight at 8:30, noticing eerie, long shadows—
The longest I’ve ever observed before playing against the sunlight.
Too much science, too much technology, too many quotidian days,
Only small print on a wall calendar announcing the first day of summer

THERE’S NO POETRY IN BEING POOR

I thought my poverty to be dignified in an artsy sort of way
Chuckling to myself as my car sways on its worn shocks
As the poet José Julián Marti Pérez fancied,

Con los povres de la tierra
Quiero yo mi suerte echar

With the poor people of the earth
I want to place my luck

I thought my small condo in a bad part of town charming
My slim earnings noble; I can get by
And a rich aunt and friends of means to bail me out when I need
I smiled at the cursing and hollering in the parking lot at 3AM
Until crime, the bastard child of the impoverished,
That afternoon my friend limped and I ran to his pickup truck
To scatter the men—one attaching a battery charger, the other in the cab
The 911 calls, the police reports, the perpetrator cursing
In the middle of the night, rambling around our parking lot
Staring me down as I walked to my own car next afternoon
Blasting hip-hop out the window of the owner giving him safe harbor
I dim my condo lights inside so he won’t know where I live
No.  There’s no poetry in being poor, when you have to be poor,
Live in fear, in 911 calls, in crime, in poverty
My friend shook for three days straight
And I, two weeks later, might practice my keyboards
With a nightstick within reach, and my phone

FLOWERS AND SUNGLASSES

The colors of the patio flowers don’t show
When I look at them with sunglasses
The brilliant, dark violet petals almost glow
When I’m not wearing plastic, tinted lenses

They attenuate the light, which is good
When I’m driving in bright sunlight somewhere
Or in a parking lot eating fast food
With a slurpy, leaning against my car

When I’m blinking in summer sunlight
Sunglasses let me get most things done
Except when Nature’s singing to my sight
And flowers display the world made by the sun

I CAN’T PRACTICE TONIGHT

My own car is parked across town at my partner’s place
I can’t practice my keyboards tonight
Making music is a far cry from nowhere, now
In this scattered mind driven to alarmed glances out the window
Every ten minutes by anxiety from the 911 call
I made again only three days ago, and three days before that
In broad daylight the first time, and then at 4AM the second time
I was still up, reading, when they vandalized my friend’s pickup truck
They attached a charger to his battery the first time with obvious intent
Same guys, same truck, same hollering obscenities at 3AM, loud hip-hop
Blaring in the parking lot from the apartment that lets him in
We glared eye-to-eye while I walked from the doorway to my own car
Next day, and I don’t know how it would have turned out
Had it come to other than eye contact, watching my every move
It isn’t just my dimmed apartment lights
—I don’t think he knows which window is mine—
It’s more my alarmed glance out the window at every clamor
Thump, car-door shut, every yell from the parking lot, or scream
My mobile phone always within reach, my scattered nerves
—I don’t want another Night on Bald Mountain—
My own car parked across town tonight, at my partner’s place
I can’t practice my keyboards tonight

I WOULDN’T SAY REGRET

Staring absently, the waitress
Demurred to evoke words
In reply to what he thought jocose
Signifying his accidental dissonance in most anything not
Music
At the piano
A good part of the day
Notes singing out a pentatonic sequence
Which were the scales’ iteration of their name
In every key
“It’s fun!” he exclaimed
While I sat on the couch that afternoon visit
Not even a song to me or most anybody
It’s why he’s so good
I mean good
Why his accidental dissonance, maybe, in most anything not
Music

He likes to check out music stores
Why wouldn’t he?
“Listen to this lick; it modulates!” he exclaimed,
After he caught my attention
Playing the baby-grand piano upon asking my permission
In the music store I worked at back then
That day we met, that time
When two roads diverged before me
And I took a different road
Than the one we were both traveling by, then

The crowd wasn’t really listening
At the Grand Hotel’s Cupola Bar on Mackinac Island
Chit-chat, chit, chatter, chitter-chatter
Where we renewed our old friendship
It looked to me like the thrill is gone
Nor, I suppose, on the cruise ships how he makes his living now

Everybody’s got to make a buck

Prone to cults, his harmonic dissonance in everything not
Music,
Almost lost him his parents when he was 20 something
Rethinking the Christian cult’s imperative to renounce his family forever
He narrowly escaped
Now I’ve lost him to Q-Anon
Fortunately, he’s not prone to violence
If we stick to music, we can still talk
He recently sent me some interesting altered blues changes
I’m learning them on my new digital B3 organ copy
I’m going to send him a recording when I’ve got the changes down
I can still talk about music with him, though I fear I’ve lost him
But I always knew him to be out there
Scherzoid in most anything not
Music

BLACKTOP AND LILAC FLOWERS

I left reading The Book of Songs, compiled by Confucius,

On the wooden patio, its planters filled with small flowers

Bright purple, dainty white and purple, daisies, deep red

Like the Nature imagery structured through the Odes

Plum flowers, boughs with peaches, reeds picked by pools

On islands in the Yangtze River; measuring the hours of night

By the passing of stars through the sky, which places humans

In the still of Nature reverence, persisting yet from China’s antiquity

Driving away from the wooden patio, that June night when, at 9:30,

The sky was blue and in the west yellow-golden with the sun still up

The street’s blacktop clashed against the violet scent of lilac flowers;

Oaks decorated concrete sidewalks, rising steel and glass office buildings

Parking in a lot past downtown by the train tracks, I faced two billboards

Looked past the tilting chain-link fence to the clashing billboards—

The pinkish, tomato-soup orange Vizzy hard seltzer billboard against

The red CIBC Bank billboard, though some texts may call them

Complimentary colors, the pinkish, tomato-soup against red billboards

Eating my Quarter-Pounder, I couldn’t see the lady pick reeds by pools

Looking at the weeds, the tilting fences, the billboards by the parking lot

Facing the train tracks, nor at the municipal park, either, I drove to

And pulled over to let a screaming ambulance pass me, that had to cross

The centerline into oncoming traffic and a guy wouldn’t stop his car

To let the ambulance through, on my way; the municipal park circled

By a blacktop road, with pavilions and restrooms for picnickers

The stillness from Confucius’ Odes took me to the wooden patio,

The tiny flowers in the planters secluded by means of wooden planks

Composing the privacy fence—despite pink noise from the exhaust fan

Of the nearby brick restaurant—I picked reeds by pools with the lady

On an island surrounded by the rough Yangtze River, it was dark, now

A CIRCUITOUS PATH THROUGH MADNESS

I have wandered.  Walked a circuitous path through madness
I know there is no romance in madness, no art in it
I now stand in sanity, more or less, understand where I was, then went
Stand with side effects from lingering symptoms, from the pills I need
Pills that keep me on this side of normal, with you, with where I was
Though simple effort still taxes my will, stresses my avolition
With a modicum of happiness breaking through the forest depression deep
The circuitous path I wandered out of to here, with you, with where I was
Not the manic elation I knew for a decade, nor a decayed will
When I couldn’t move, motivate myself, simple effort was enormous
Ambition used to mean what healing means to me now,
I know now why Tristan and Isolde required connubial conjunction
I know the swoon of Tristan’s potency into Isolde’s salvific potions
The solipsistic isolation Isolde solved in her era, saves me with solutions
Potions, herbals that brought back my heroic effort to get out of bed
To make another poem, words wound in sane sense not just to joust,
Vainly at windmills mindlessly spinning in vorticular winds, flailing,
Failing mind, falling into delusions, furtive stabs at shadows of reality
Breaking word sequences into nonsense and here is no art, no romance
Now in pills and many therapies, I invoke the soul of Lady Isolde’s salves
Potent restoratives who would potentially invoke my psychiatrist’s laugh
My psychiatrist, who doesn’t know, as I know, ethereal healings,
The anaesthetic pulling of my will into that simple activity, effortless,
As it used to be, an hedonia in doing, pleasure like happiness piercing
A clearing in deep forest darkness, depression’s deep gloom, like gladness
Like pleasure, like love Lady Isolde holds for prowess, like Lady Shakti’s
Chakras subsume susumma’s breath, and prana is clarity of mind, too
And spirit is psyche, ch’i, psychiatry is a chiasm of daemonic possession,
Desperation deposed—psychic chiasm, peripeteia in an ill-written script,
Light breaking forest gloom as in a clearing, a breath of fresh air
Inspiration of hope.  Stilling the spiralling like blown windmill blades
Spinning into a profound nowhere, incoherent words wheeled into order,
Wielding truth’s double-edged sword about it all, well-being, wellness
Wellsprings of hope, strength of will, wandering back, back to you,
To where I once was, departing the wilderness, wildness, the windmills’
Fiendish, whirling perseverations stilled, standing in sanity, more or less
I have wandered.  Walked a circuitous path through madness
There is no romance in madness, no.  No art in it
Not as there is art in sanity, in the sound of sense, in sound sense
In the sound of words making sense, and life as a living poem, making.
I did not choose to compose this poem, to wander that artless path

WE ALL SEE THE SAME MOON

He had a Kawai baby grand piano in his living room
It wasn’t a Bosendorfer, Steinway, or Yamaha
But he had a baby grand and my roommate a long time ago
Had an inherited Steinway with real ivory keys, she let me play it
Play way into the night, a nurse now, and a music school graduate
With her inherited Steinway, and he is a psychologist with his Kawai
Laura Rain played Blues on Whyte in Edmonton, and
The Edmonton Bluesfest; I heard she played Buddy Guy’s
I first heard Monkey Junk at the Salmon Arm Folk and Roots Festival
Playing on a side stage; Taj Mahal headlined on the mainstage
My sister had a Taj Mahal album in the ‘70’s; and Monkey Junk
Can fill a moderate concert hall and they’ll always work in Canada
My friend the psychologist got a friend of his to cast his wedding rings
And having lived in Southwest Florida for decades could always get gigs
He wouldn’t be able to fill a concert hall, but there weren’t any, anyways
Just the symphony hall, and I heard B. B. King play there, once
And I’m a Swedenborgian minister of a small, aging, dwindling church
An accomplished piano player in Nashville asks me spiritual questions
And critiques recordings of my original music free of charge
He plays cruise ships and exclusive summer resort hotel bars, solo,
With an illustrious past, having performed with industry giants,
Making a living in an undependable business.  We’re all making a living.
And there’s a place for art in life, however life ends up construed
Whatever life is called, or identity defined, be it by a career, aspiration
Passion or calling, writing on a business card, how others know you
Like my friend with the Kawai, or his friend who cast his wedding rings
Or the music graduate with her inherited Steinway, who is a nurse
B. B. King, Taj Mahal, Monkey Junk, Laura Rain, my musical friends,
My musical inclinations, the thousands I spent on instruments
I, a Swedenborgian minister at a small, aging, dwindling church,
Still happy, contented with my life, contented with my inclinations
And their manifestation, my pay, the recognition of my peers, my friends,
My musical instruments and their exercise, my career, my attainments,
Those I yet pursue in these advanced years, the lingering dreams I cherish
The moderate drive moving my intentions through happy reflections

RESTING MY INCLINATIONS

I am resting my inclinations, my aging body
No longer responsive to my inclinations
As my youthful body was
Whenever I wanted to do pretty much anything
Be it lifting heavy rocks on the construction site
Or playfully leaping from boulder to boulder
In a modern art fountain set on the ground of the Harvard campus
Now I want to play my B3, but I can’t
My finger joints are sore, my muscles ache from last night
When the kick playing reached my physical capacity
I had to stop
And now I have to rest, rest my inclinations, restore my body
I may be able to play tonight, want to put in at least some practice time
Maybe, though, not till tomorrow; I have to rest now and I can’t play
My body is no longer responsive to my inclinations
As when I was younger, effortlessly, and everything was effortless
Careless, insouciant, fun, indifferent to consequences I would pay later

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