TO EMBRACE THE SPIRITUAL

TO EMBRACE THE SPIRITUAL

Invocation.

            This poem can’t rhyme
            Held in rhetoric’s weak embrace
            I’m writing it in a casino
            Listening to the little ball
            Swirl around the roulette wheel
            Nobody is noticing me
            Except a Chinese lady’s glance
            I’d rather write in a dive
            Or a coffee shop that isn’t too hip
            Or a library
            But they’re all closed this time of night
            Still, this poem won’t be plastic

Recitative.

There is an outdated English word
An archaic notion that probably doesn’t mean much
Except to me, and maybe to the devout
I don’t experience it often, except

Sometimes from immigrants, or among students
In religious colleges;–it isn’t just they try to help me out
More, the pleasant way they go about it—almost cheerful
You can tell they wish well to me, to everyone, beyond the journals

It is pleasant to experience a good-natured person
Sincerity is part of it
It isn’t just getting along, nor someone who won’t ice you
But to actively promote the good

It’s not just the kind of thing that will keep you out of a bar fight
Or make someone next to you want to talk to you, drinking beer
Nor even refined social graces, though they’re close
One discovers the good when it is sought out, actively

It could be giving an airport bartender you’ll never see again a good tip
Maybe, more ambitious, learning to play a Bach fugue
Instead of indulging in Facebook
Venturing out of your echo-chamber to confront truth

I try to make Carol happy and it makes her happy when I try
You have to know someone, care, study to make them happy
Learn the kind of thing they like, living in both your worlds together
It’s not a matter of getting them to like what you like

Carol didn’t like Mozart’s Requiem, nor Beethoven’s 4th Piano Concerto
When I took her out on dates—you can’t talk in a concert, anyway
I don’t look at show homes with Carol, anymore
And tap on the walls, listening for the drum sound of thin drywall

She likes it that I like the things I like, and I, too, for her things
I listen to the plots of the stories Carol is reading
Carol likes me to read her the poems I write
We go on walks together in the park

I know the kind of funny quips that make Carol laugh
And when we need to talk seriously about life’s terms
Walk through the world’s unkind circumstances together
I’ll make a personal observation and Carol will listen

This good-nature, this embrace of the good
Which devout people are like
It’s a certain way to approach life, to regard other people
It’s all more than getting someone out of your face

Playing a Bach fugue does something to my soul
You can’t get hanging out in a bar
Making your fingers work through the harmonies rearranges synapses
Generates the peace I uniquely feel playing Bach or talking with Carol

Bach was a believer and even when he didn’t write church music
The peace is there in the harmonic structure
Like the secular Fugue V of The Well-Tempered Clavier
Which I’m learning, now.  Carol isn’t a musician

She grew up on a farm.  Her dad sang in the church choir
My encounters with Carol rearrange my brain synapses like Bach
It’s that quality of good, of good-nature, that realm I enter with Carol
Like reading the Bible, or writing a sermon, or leading worship

You don’t want to break up that mindset with cheap talk
Sometimes, when I venture out of the house, I use language
That brings into existence a caricature of my soul, cheapens who I am
It isn’t elitism, this aversion for ungracious word order

You read stories of Jesus hanging out with the disgraced
Yet his words stand through millennia
It’s not elitism, this want to live spiritually
More a love for the life words can give, the peace love can give

SPRING: SEASONS BLEEDING INTO TIME

TIME TO BE HAPPY

It’s springtime and it’s time to be happy
Soon it will be Easter, the happiest day in the Christian calendar
And how can I not be happy with increasingly more daylight
Longer days and I can go on a walk at 5:30PM
And, in time, way north up here there will be little night
In fact, just a dim dusk which is what we call night in summer
That will make my accustomed indoor activity difficult
For how can I write music, read W. H. Auden
When my eyes are blinded by brilliant long day light
And I don’t feel the quiet dark indoors and maybe a candle-flame’s faint glow
Even in recording-studios they play only in red light
The buzzing bright florescent lights turned off and the soft, red light bulb
Glowing to set the mood and I have a red light bulb in my floor lamp-stand
When I practice, I turn on the red light bulb for mood
And light a candle to Sarasvati when I write poems
All that dims with the rising spring sunlight, bright days and
The candle-fire yields to the sun even as indoors yield to outdoors, and
Latin music makes more sense with its outside
Percussive soul and how many different drums and percussion go into one song
And group response chanting vocals because outdoors you can gather in groups
Salsa steps in the open air, and even the piano plays percussive syncopations
And it makes no sense for me to play a mambo all alone in my apartment
Or a güiro or claves punctuate your dance steps to a Bach fugue
Which it does make sense to play all alone in my apartment
Like Bach way up in the organ loft and the congregation sitting still, listening
I live in The Festival City and in summer we congregate by the hundreds
At Bluesfest, or Folkfest, or Symphony under the Stars
And the Mandolin Coffee Shop and Bookstore will soon open its patio
And it will still be hard to read W. H. Auden in the brilliant sunlight
When it is better to hike, bike, picknick or barbecue and even bonfires
Don’t really work in the perma-twilight we call night way north up here
Sitting indoors doesn’t make much sense;–as if there hasn’t been enough of
Sitting indoors, though one does become accustomed
And springtime is always a new exploration of life way north up here
As when, a teen, one by one, I discovered Beethoven’s only 9 symphonies
Sad to discover that Vivaldi didn’t sound like Beethoven
Trying to get over the mini-skirts in the halls between classes
Or at desks while I tried to concentrate and get algebra over with
And I would play around on the piano in my parents’ living room

TIME TO BE HAPPY

It’s springtime and it’s time to be happy
Soon it will be Easter, the happiest day in the Christian calendar
And how can I not be happy with increasingly more daylight
Longer days and I can go on a walk at 5:30PM
And, in time, way north up here there will be little night
In fact, just a dim dusk which is what we call night in summer
That will make my accustomed indoor activity difficult
For how can I write music, read W. H. Auden
When my eyes are blinded by brilliant long day light
And I don’t feel the quiet dark indoors and maybe a candle
Even in recording-studios they play only in red light
The buzzing bright florescent lights turned off and the soft, red light bulb
Glowing to set the mood and I have a red light bulb in my floor light-stand
When I practice, I turn on the red light bulb for mood
And light a candle to Sarasvati when I write
All that dims with the rising spring sunlight, bright days and
Latin music makes more sense with its outdoor
Percussive soul and how many different drums and percussion go into one song
And group response chanting vocals because outdoors you can gather in groups
Salsa steps in the open air, and even the piano plays percussive syncopations
And it makes no sense for me to play a mambo all alone in my apartment
Or a güiro or claves punctuate your dance steps to a Bach fugue
Which it does make sense to play all alone in my apartment
Like Bach way up in the organ loft and the congregation sitting still, listening
I live in The Festival City and in summer we congregate by the hundreds
At Bluesfest, or Folkfest, or Symphony under the Stars
And the Mandolin Coffee Shop and Bookstore will open its patio
And it will still be hard to read W. H. Auden in the brilliant sunlight
When it is better to hike, bike, picnic or barbecue and even bonfires
Don’t really work in the perma-twilight we call night way north up here
Sitting indoors doesn’t make much sense;–as if there hasn’t been enough
Of sitting indoors, though one does become accustomed
And springtime is always a new exploration of life way north up here

LEONARDO’S SONNETS PART II

In fact, brain synapses configure

New pathways forming in gray matter

Thought processes and capacities for

New comprehension’s creation

Creativity

Reading a new work viewing

A new art form or revisiting such as

The Mona Lisa

LINES WRITTEN IN DEJECTION, NEAR NAPLES

Fugue V from Well-Tempered Clavier

And in the new generation, creation, art work

Writing a sonnet

A whole new brain is born

Any least aspect changes the whole

Recasts the mold fashioning

Consciousness

Any new experience and learning

Love

Repentance

The Rig Veda

Makes a new capability to make

And so, the sonnets of Leonardo

Indeed conspire in the painting of

The Mona Lisa

SONNET: WEALTH IN POVERTY

School taught me life with meager earning

I learned to live, and also to live well

During the time I devoted my life to learning

I learned that the best things markets don’t sell

 

My material possessions now give

The means to continue to learn and grow

Impoverishment is showing me a better way to live

Books, guitar, and Bach on the piano

 

Excess wealth can turn into complacency

And self-absorbed indifference to others

Time can pass in mindless frivolity

In egotistical isolation from our sisters and brothers

 

Impoverished circumstances can be abundant

And meager income become, in fact, a major grant

Art and Societal Constraints

I was moderately upset today when the classical music station where I live played only two movements of a Beethoven String Quartet.  The String Quartet is meant to be heard as a whole, not in pieces.  All four movements relate to one another and make a musical whole.  We live in an impatient world, with short attention spans, craving for instant gratification, short cuts in the movies we watch, sound bites, Twitter snippets–everything packaged in tiny packets that take up less and less time.  And our short attention span reflects these tiny packets of data.

How many people have an hour and a half to listen to the whole B-Minor Mass of Bach?  45 minutes to listen to a Beethoven symphony?  Does my classical radio station need to chop up whole pieces to package music in small bites because of today’s short attention span?

Maybe.  Our world is different than the world of Bach and Beethoven.  Imagine a world with no TV.  No radio.  No internet.  No cell-phones.  No electricity.  Can you imagine such a world?  That’s the world of Bach and Beethoven.  Imagine what time, and pass-times would be like then!  I imagine that people in such a world would have a lot of time to kill.  How long could the nobility just chat, who had no job they had to go to to fill up their day?  I imagine they would welcome a 50-minute string quartet they could listen to in someone’s chamber.  On Sundays, everyone had to go to church.  Then what?  No football games to watch.  Why not hang around the church and hear a musical mass for another hour.  Why not a cantata?  Why not a 20-minute prelude and fugue before the preacher?  They had the time.

The fact is, people in the 18th and 19th-century did have an hour and a half to listen to Bach’s B-Minor Mass.  They wanted a 50 minute symphony.  But we need to carve out time specially if we want to listen to a whole string quartet.  I’ve only heard the whole B-Minor Mass once, and it was a live performance.  As it happened, it was on a Sunday afternoon, too.  It was really rewarding.

The social forces today are different than those of Beethoven.  We can wile away time mindlessly glued to the TV, as I often do.  But I do, on occasion, set aside an hour or two in order to live with sublime art.  Art that was generated by a society that time to kill.  Art from a society much different than ours.  This blog could be considered deconstruction, if you like.

Other Things that Take Effort

When you work hard, you’re tired.  Sometimes all you can do is vege in front of the tube, maybe pass out, and go to bed.  But you’re not always that worn out.  Often, we stay up for a while and wile away the time.  How we wile away time matters.

One day-off I was sitting in an easy chair, feeling lazy.  I hadn’t worked that day and had, basically, the whole day ahead of me.  I felt too lazy to listen to Beethoven on my iPod, or jazz, and settled for classic rock.  I don’t mean to disparage classic rock at all.  It’s good.  But it doesn’t require much effort to listen to.  It doesn’t sound right, but Beethoven or Bach seem to require listener effort.  At least concentration, which takes effort.  Even Beethoven’s 6th required more effort than I had in me that day.

But I criticize myself for my laziness.  Vegeing in front of  TV, or letting classic rock pass time is a cheat of the soul.  Now we can’t and shouldn’t only listen to Beethoven or read Shakespeare or David Hume.  But I need to rise to Beethoven’s intonation in some moments.  My life is blessed when I do listen to him.  Or when I am able to read Shakespeare.  Hume isn’t hard, he just requires a lot of time.  And the point is, I need to make time for them all.

Erik Erikson writes about a late stage of development called “Generativity versus Stagnation.”  It’s a stage in life when we are concerned with passing on wisdom to the next generation.  It seems to be hitting me.  Symphony halls can’t make a go of classics, so they are playing “pops” and other light music to keep their doors open.  In my hometown, it’s hard to find concerts that I want to go to, meaning Bach, Beethoven, Ravel, Copeland, et. al.  I talked with a biology student who was forced to read Shakespeare.  She complained to me why they wouldn’t let her read something more contemporary.  Jazz venues are closing.  Two undergraduate girls at a prestigious university couldn’t tell me who came first, Moses or Jesus.  While my personal problem is getting my lazy butt up to giving Beethoven the listening he deserves, my fear for society is that all these things are being sloughed off by indifference, apathy, ignorance.

I’m not just complaining about passing on my generation’s likes to the next.  I believe that the individuals I mention, and others of a like kind, have a precious gift to humanity.  Losing them is like losing a part of the human soul.  But then again, contemporary philosophy teaches that there isn’t a soul, never was one.  I’m not at the point of despair yet.  Maybe closer to alarm.  And that includes alarm at myself, too.  I hate to think I’m sinking into a laziness that doesn’t have the energy to put on a Beethoven symphony.  Even the death march in his his 3rd.

Strange Conversation in a Music Store

“Man, did I get wasted last night!”

“I was listening to a sensitive performance of Beethoven’s 6th Symphony on the radio.  It really moved me.”

“I was doing V.O. shots.  And reds.  Man, did I get wasted.”

“I’ve been practicing Bach’s D Minor Toccata and Fugue when there aren’t any customers.  I can play the Toccata though, but I’m only beginning the Fugue.”

“I was beyond high.  I was WAS-TED!”

“The keyboard is the most graphic representation of music of any instrument.  All the tonal relationships are there in the keys, visibly.”

His interlocutor shook his head, “Say what?!  So do you want to go into the stock room and get high?”

“Doesn’t it make you paranoid to deal with the public when you’re high?”

“No.  Because you know you’re high and they know you’re high and you sell them organs.”

“OK.”

Worship and the Limits of Reason

I have had few instances when music has really affected me in a worshipful way, and taken over my consciousness.   I don’t mean the times when I listen to Beethoven’s 9th, and I am moved to tears.  Or when I respectfully listen to Bach’s B-minor Mass, and am moved.  No.  Recently I have experienced Handel’s Messiah and choked back the tears through the whole concert, when I wasn’t smiling with happiness.  And just a few nights ago, I attended part of a worship service at a Sikh Gudwara and found the experience overwhelming.

By virtue of my membership in an interfaith organization, I am able to travel to different places of worship and learn about their religion and experience, sometimes, their rituals (and eat their food).  Upon entering the worship space of the Gudwara, we went to the front and did obeisance.  That meant I knelt down and bowed my forehead to the ground.  The power of that gesture was astounding.  I got right back up, but afterward felt I wanted to have remained bowed down longer.  Then I sat down on the floor, and listened to the trio playing Indian ragas.  We were invited to pray to whatever God we worshipped.  I started off with my customary thinking, but very shortly was overwhelmed by a feeling of forgiveness and religious ecstasy.  I drank in the repeated musical motifs of the ragas as if I were chanting.  And my mind emptied as my soul allowed the worshipful experience to happen in it.  I even had an inner vision of Christ on the cross, although my tradition celebrates the risen Christ.

My own faith is about as rationalistic as faith can get.  But my experience of the Gudwara and also other places like a Ukrainian Orthodox Church have suggested to me that rationalism can only go so far.  The power of good ritual can last even after the ritual is over.  I can still mentally go back to the Gudwara experience as its sublime remains in my consciousness, soul, and heart.  And I can remember my startled feelings when I stepped out of the Ukrainian Church, with all its icons, into the ordinary world.  How drab and lifeless everything looked.  My Protestant faith taught me that religion resides in the mind; and it taught me to be suspicious of external rituals.  But I don’t think it got it all right in that.  There is immense power in ritual.  And there are limits to reason.