TO EMBRACE THE SPIRITUAL

TO EMBRACE THE SPIRITUAL

Invocation.

            This poem can’t rhyme
            Held in rhetoric’s weak embrace
            I’m writing it in a casino
            Listening to the little ball
            Swirl around the roulette wheel
            Nobody is noticing me
            Except a Chinese lady’s glance
            I’d rather write in a dive
            Or a coffee shop that isn’t too hip
            Or a library
            But they’re all closed this time of night
            Still, this poem won’t be plastic

Recitative.

There is an outdated English word
An archaic notion that probably doesn’t mean much
Except to me, and maybe to the devout
I don’t experience it often, except

Sometimes from immigrants, or among students
In religious colleges;–it isn’t just they try to help me out
More, the pleasant way they go about it—almost cheerful
You can tell they wish well to me, to everyone, beyond the journals

It is pleasant to experience a good-natured person
Sincerity is part of it
It isn’t just getting along, nor someone who won’t ice you
But to actively promote the good

It’s not just the kind of thing that will keep you out of a bar fight
Or make someone next to you want to talk to you, drinking beer
Nor even refined social graces, though they’re close
One discovers the good when it is sought out, actively

It could be giving an airport bartender you’ll never see again a good tip
Maybe, more ambitious, learning to play a Bach fugue
Instead of indulging in Facebook
Venturing out of your echo-chamber to confront truth

I try to make Carol happy and it makes her happy when I try
You have to know someone, care, study to make them happy
Learn the kind of thing they like, living in both your worlds together
It’s not a matter of getting them to like what you like

Carol didn’t like Mozart’s Requiem, nor Beethoven’s 4th Piano Concerto
When I took her out on dates—you can’t talk in a concert, anyway
I don’t look at show homes with Carol, anymore
And tap on the walls, listening for the drum sound of thin drywall

She likes it that I like the things I like, and I, too, for her things
I listen to the plots of the stories Carol is reading
Carol likes me to read her the poems I write
We go on walks together in the park

I know the kind of funny quips that make Carol laugh
And when we need to talk seriously about life’s terms
Walk through the world’s unkind circumstances together
I’ll make a personal observation and Carol will listen

This good-nature, this embrace of the good
Which devout people are like
It’s a certain way to approach life, to regard other people
It’s all more than getting someone out of your face

Playing a Bach fugue does something to my soul
You can’t get hanging out in a bar
Making your fingers work through the harmonies rearranges synapses
Generates the peace I uniquely feel playing Bach or talking with Carol

Bach was a believer and even when he didn’t write church music
The peace is there in the harmonic structure
Like the secular Fugue V of The Well-Tempered Clavier
Which I’m learning, now.  Carol isn’t a musician

She grew up on a farm.  Her dad sang in the church choir
My encounters with Carol rearrange my brain synapses like Bach
It’s that quality of good, of good-nature, that realm I enter with Carol
Like reading the Bible, or writing a sermon, or leading worship

You don’t want to break up that mindset with cheap talk
Sometimes, when I venture out of the house, I use language
That brings into existence a caricature of my soul, cheapens who I am
It isn’t elitism, this aversion for ungracious word order

You read stories of Jesus hanging out with the disgraced
Yet his words stand through millennia
It’s not elitism, this want to live spiritually
More a love for the life words can give, the peace love can give

Real Class

A while ago the great literary critic Paul Fussell wrote a book about class.  It described elements of status and sophistication.  In short, the book itemized what makes for class and status.  Some of the things we think are classy are wealth, sophistication, knowledge of wines, appreciation for art, going to opera, dressing well, eloquent speech, good manners, sporty cars, certain political opinions, biting wit, and other things.

A while back, I bought into that definition.  I even tried in my own way to become classy.  The trouble with that understanding of class, is that it depends on external things to make one classy.  So you need a symphony, you need fine wines, you need cars, you need artworks, and all manner of things that are outside a person.

I view things differently, now.  My new view is largely influenced by my partner.  She showed me a different aesthetic.  In fact, a different ethic.  Now I see class as integrity.  In the view I now hold, there is nothing classier than someone being up-front, honest, and sincere.  A person who can enjoy simple pleasures, such as going on a walk, playing a board game with friends or family, talking on a porch while watching the sun set, such a person knows the things that matter in life.  Now I value plain speech, direct communication, simplicity, and that priceless quality so hard to define: innocence.

Classy people in the Fullell sense may have a hard time with children.  Children see through affectations, and airs.  And caring for children can be undignified according to the Fussell view on class.  There is that scene in “As Good as It Gets” when the preppy suitor of Carol the waitress spurns her with the line, “Too much reality for a Friday night.”  He is referring to Carol’s asthmatic son who has vomited.  Her mothering was too real for the classy world view of her upscale suitor.  Class that can be vulnerable to life is shallow.  But if a person is simple, unaffected, direct, and sincere, children will love her or him, their class can’t be undone, and they are possessed of a lovable character.  That, to me now, is real class.

Judgement Upon Life

I haven’t begun my life, at thirty six.

Marilyn was dead by then.

Was that a life?

Is there ever a life?

Will alienation

 

From childhood define time

Ambition, contention, compromise, corruption

Pass the years that wear

Complex adjustments upon sincerity

 

Until genuine doubt about how

Much sincerity is dissipate

Defines life.

As time passes–judgement upon life.

Who Am I; Who Are You?

After resting for 45 minutes motionless, with acupuncture needles in my face, arms, abdomen, and legs, my doctor come into my room.

“How are you feeling?” he asked.

“Peaceful,” I replied.

“Good,” my doctor said.

I thought to myself, “How many people that I know could I tell I’m peaceful?  How many situations that I find myself in would the subject of peacefulness be an appropriate conversation topic?”  And, “How many people would think I’m weird to tell them I feel peaceful?  Or not understand?”  Certainly, not at the Blues Club I frequent.  Or in my casual social occasions at the coffee shop or diner.

But my point is not how out-of-place talk of peace is.  My point is how often our conversation is constrained by our environment.  How often who we are is determined by whom we are talking to.

There are people with whom sports seems to be all I can talk about.  And I’m not that into sports.  There are people I talk about work issues with.  There are people with whom I act as a professional counselor.  There are some I seem to be talking about politics with.  Some are academic colleagues and we talk about philosophy.  Not too many people I can talk about poetry with.  There are some situations in which we complain and gripe.  There are a few people with whom I can bare my soul.  Who am I in each of these different scenarios?

There are degrees of authentic presence with other people.  There are situations in which we are polite and mannerly, which is essentially following a rule book.  There are situations in which we are diplomatic which requires sensitivity, fast and careful thinking and word choice.  There are times when we say what we think other people want to hear.  Then there are the feelings with which we encounter others.  Sometimes we speak in mutual love.  Sometimes we speak in mutual anger.  Sometimes we speak in mutual sincerity.  Sometimes in company with others we feel lonely because there is much of who we are that we cannot express in the environments we find ourselves in.  Ralph Waldo Emerson speaks of situations in which one cannot talk because the listening audience is to heterodox to the one talking.    Who are we in these differing ways of dialogue?

I think that there are different degrees of depth in our personality makeup.  When we are alone, some of us are in touch with a depth that we can’t express in public, for various reasons.  We think, do, and feel as we wish when we are alone.  This may be who we really are.  There is also meditation and prayer, which takes us to an altered, deep level of personality above ordinary experience.

So who we are alone is one measure of the self.  Then, on the other hand, there are times when a person gets lost in sociality.  These are times when our environment dictates who we are, how we act.  When I was a Harvard student in Boston, I felt so connected to my social environment that there was no real divide between me and the culture of Harvard.  On the positive side, I was learning social graces and expanding my intellect.  On a negative side, I was all surface, appearance, propriety.  I lost my feeling of peace when alone in Nature.

But we can’t love when we are alone.  Love isn’t a feeling we shine out from our heart.  Love is an action word.  We love when we are involved with others.  We can love, also, when we do something of service to others, even when we are alone.  When I write, or play music, which will eventually get to other people, I love what I am doing.  My love for others comes out in words or melodies.  Sometimes peacefulness comes out.  When I am in company with others, I aim to bring love and the Good to our encounter, my love for humanity, and what I have learned to date that is good.  I may listen empathetically; I may joke around; I may share my personal life, I may inquire about others’ loves, lives, interests.  In all this I strive to be authentic.  I want people to meet who I am, not who I want people to think I am.

Once, a long time ago, I was talking to a stranger in a bar.  She said, “I’ve never met a real person before.”  I hope that wasn’t the whole truth.  But I think that we encounter degrees of reality in the people we meet.  I knew a man who accidentally told me that he is skilled in becoming the kind of person he thinks his social companion wants him to be.  That would be the opposite extreme of who I was back in the bar.  Being an authentic self is knowing self, and bringing self to social interactions.  And self in relationship with others is self expanded, growing through the interaction, acting on and in love and the good.  Being authentic in relationships expands who we are as we come away with an encounter of the other, another reality than our own.  While we may be one kind of real self when we are alone, we are also a real self when we are authentic in our relationships.