DISCOVERING ART, ARTISTS

It’s taken me this many years, in my mature age

To understand, and, more, to enjoy Shakespeare

For in my younger years, I couldn’t, didn’t

I look forward to the delight in store for me

As play by play, I will open the heavy, leather volumes

Of Shakespeare in my home library

 

I recall, in my youth, my delight

As symphony by symphony, I discovered Beethoven

I recall my sadness, when there were no more symphonies to discover

Symphony by symphony, I had heard them all

Though I can still listen to them time and again

 

I recall, in early manhood, my delight

As novel by novel, I discovered Hemingway

I recall emulating Hemingway’s characters, Hemingway

As I was young, and searching for an identity

 

I recall, also in early manhood, my awe

As I viewed paintings in museums

That I had previously seen only as prints in books

And I could, can, view them time and again

 

So all these years, these good years

Bring me to the doorstep of Shakespeare

And like an eager youth, I anticipate

The delight in store for me

As play by play, I open the heavy, leather volumes

Of Shakespeare in my home library—

A surprising boon bestowed on my advanced years

MUSINGS ON MUSIC

Music isn’t just pretty sounds, a pulse

Rock isn’t just a distorted guitar

Blues isn’t just a 12-bar form

Music should strike fire from the heart, so said Beethoven,

Music is poetry of the soul, heart and soul

Soul music, the existence of the soul

Touched by fire, music is a living thing

Life-giving, live or recorded, alive through ages

Living with individuals through life, through aging,

In youth or age, youth and age

Peasant and king hear the same music, so say the Chinese

Pounding through the heart, hearing, heard with soul

Existence of the soul, sounds’ salve, alive

Conducted through electricity in the brain

Singing through synapses in the soul

Symphony of the senses sent from on high

Humans sang before they spoke,

The lilt of language’s inflections

Performances perfecting the human condition

Culture, cultivation, culmination of the muse’s calling

Meaning so much more than pretty sounds, a pulse

MEDITATION ON THE TWO TRUTHS

I felt my brain change

When I grasped a passage in the Upanishads

 

I see things differently, now

I understand aspects of myself better

Understand aspects of the selves other have

I see faces, now

Faces, which we all share

Aspects of The Self

I understand Christian mysticism better now

Swedenborg better, The Cloud of Unknowing better

 

The Unity of our Source

All Self; all Consciousness

All of Brahman

Unity

 

Then there is apparent multiplicity

The particularities we experience

The differences making faces unique

Different selves, faces, genders

The different notes in a melody

Different melodies in a symphony

The different notes that make a single chord

 

The Unity of our Source

All Self; all Consciousness

All of Brahman

Multiplicity

 

The reality of Unity and Multiplicity

The unity of two truths

Art and Societal Constraints

I was moderately upset today when the classical music station where I live played only two movements of a Beethoven String Quartet.  The String Quartet is meant to be heard as a whole, not in pieces.  All four movements relate to one another and make a musical whole.  We live in an impatient world, with short attention spans, craving for instant gratification, short cuts in the movies we watch, sound bites, Twitter snippets–everything packaged in tiny packets that take up less and less time.  And our short attention span reflects these tiny packets of data.

How many people have an hour and a half to listen to the whole B-Minor Mass of Bach?  45 minutes to listen to a Beethoven symphony?  Does my classical radio station need to chop up whole pieces to package music in small bites because of today’s short attention span?

Maybe.  Our world is different than the world of Bach and Beethoven.  Imagine a world with no TV.  No radio.  No internet.  No cell-phones.  No electricity.  Can you imagine such a world?  That’s the world of Bach and Beethoven.  Imagine what time, and pass-times would be like then!  I imagine that people in such a world would have a lot of time to kill.  How long could the nobility just chat, who had no job they had to go to to fill up their day?  I imagine they would welcome a 50-minute string quartet they could listen to in someone’s chamber.  On Sundays, everyone had to go to church.  Then what?  No football games to watch.  Why not hang around the church and hear a musical mass for another hour.  Why not a cantata?  Why not a 20-minute prelude and fugue before the preacher?  They had the time.

The fact is, people in the 18th and 19th-century did have an hour and a half to listen to Bach’s B-Minor Mass.  They wanted a 50 minute symphony.  But we need to carve out time specially if we want to listen to a whole string quartet.  I’ve only heard the whole B-Minor Mass once, and it was a live performance.  As it happened, it was on a Sunday afternoon, too.  It was really rewarding.

The social forces today are different than those of Beethoven.  We can wile away time mindlessly glued to the TV, as I often do.  But I do, on occasion, set aside an hour or two in order to live with sublime art.  Art that was generated by a society that time to kill.  Art from a society much different than ours.  This blog could be considered deconstruction, if you like.

Perpetual Spring

As I age, the world ages with me

As it always has

Things I treasure go out of style

Live music, blues, jazz, the symphony

Peace and love

Mozart went out of style

And nobody knows where he is buried

Who performed for princes, kings, queens

High art, technique, form fail

Churches dwindle, consolidate, close

Zoroaster, Moses, Jesus shrugged off

They follow Zeus, Apollo, Heracles

 

There is no perpetual spring

There follows summer, autumn, winter, and spring again

As I autumn, I can’t see spring again

No, I don’t see spring

I will be leaving this world

And I look toward another

And as my world dies, perhaps it is well that I also with it

I think less of my legacy than I do my potential

In my autumn I see perpetual springtime