LIKE DANNY RAND’S IRON FIST

Esteem is non-transferable
Maybe a life of ambition has netted accomplishments which are admired
And you’re proud of what you’ve amounted to,
Honors, awards, and achievements amassed and acquired in college
You list them in an early resumé but not in maturity,
Their merit fades like ability with age, fading skillsets
And the memory of what you once were, once could do is not the same
As the ability itself and proficiency, even if at one time
It was your own, was who you are, what you are, were
One can measure age by abilities one has lost
Maybe we have rested on our esteem too long,
Taking credit instead for actual ability

—Then there may be other considerations—

But respect from mastery of a discipline is a non-transferable asset
That status of my Harvard degree in religion and culture doesn’t translate
Onto the dance floor from the digital keyboard of my piano to listeners
It’s the actuality of tonal rhythm my technique must generate.
Into every new world an expansive soul is summoned because it is new
Esteem cannot be imported but must be earned afresh as Danny Rand
Fought the mythic dragon and earned by his own efforts The Iron Fist
Contending to master arts of new disciplines in answer to wisdom’s howl
The expansive soul’s ventures grow comfortable in unfamiliar realms
Didn’t Leonardo’s poetry, inventions, astronomy, and architecture color
The brushstrokes of the Mona Lisa?  And Newton wrote theology;
Bach taught Latin; Einstein played the violin; not cowering before
The daunting other, the ignominy of beginning, the risk of failed esteem
And my Kung Fu master was going to ask me to leave his studio
Because I wasn’t getting it.  Much later, he made me star in videos
He filmed for newcomers as promos at his New Year’s celebration
And another student and I were teaching assistants when we brought him
To Harvard phys-ed and packed the gym.  At the Chinese Cultural Center
One of the senior students watched me and made signs, as his English
Wasn’t good, imitating my awkward beginnings there and how I am now
The nobility of my experiences with behavior health sciences,
Contending with the fog of a mind touched with fire, sedated by meds
Swimming through barely functioning, losing excellences I once knew
Or my 26 years clean and sober and serenity’s radical recast of success
Now I awaken nude in incompetence, wishing for nobility to transfer
Into a world that never knew me before,
Who I was, what I was, what I could do
Only my performance in this iteration of identity

A VISION OF BLOOD DARKNESS

Has your consciousness ever been in blood darkness?
Where the black all around your soul is palpable, though you can’t touch it
And you can’t seem to see through the blood darkness
And two funny guys next to you at the bar—
One sitting next to you and the other—his pal—standing
Give you the time of day, almost care
But not enough to touch you through the black cloud
Encompassing all of you except a fragment of mind
Just poking through into the light, to the two funny guys
They make a joke about Ordinary World by Duran Duran, popular those days
It’s playing on the bar sound system, and I listen to Ordinary World
Twenty years later and I think of those two guys
And how they were almost comfort

I needed comfort badly, all alone with my psychosis
Which my psychiatrist’s professional distance
Didn’t afford, all alone in psychosis and no insight
Little mind available to understand if there had been an explanation
Neuro-transmitters, serotonin, norepinephrine, bipolar with psychotic features
And, maybe, someone to tell me I’m still a person
Understanding’s comfort, any comfort, like the young couple
Who worked at Subway and befriended me—which meant
More than hanging out together, us guys—total acceptance we both craved
And I didn’t wonder about what had become of my ambitions
Like my old friend over the phone thousands of miles away
Made me feel like I wasn’t all alone while he was on the line
In blood darkness, though I was still

Psychosis and its consequential changes in my life
Derailed ambitions, transforms identity, remaking self, patched-up fragments
Changing the way I attack the world’s scarce opportunities
I wouldn’t say I attack, now, as then,–before
And changed direction into the path I followed to here
Becomes life as I know it, self as I know it
Trajectories of identity and it’s not a matter of
Adjusting to circumstances—I, in fact, am the very circumstance
Blood blackness and emergence into such sanity as I possess,
Such stability as content the psychiatrists, which is measured and categorized
Into functioning and I am categorized as High Functioning
Even though to me, 40 hours is a stretch, not like before,
And people wag their heads at me and think me lazy
Blind to the blood darkness following me like a malevolent shadow
And I can’t make them see the light, not even in a dissertation, textbook, poem

TRIPTYCH

I sink into myself
And subordinate my consciousness in guilt
As if is seems everybody isn’t better than me

I reach a plaintive grasp
Into the ether that is the other
Hoping for redemption from mortality

I lose myself in soul discounts
Appraising identity against my sex drive
When it comes to you there is no other

STRUGGLING AGAINST MY SWADDLING BANDS

My infant sorrow persists in these, my senior years

And I am not a fiend hid in a cloud

Though persistent, insistent, sinister powers that be

Tell me to be, that I am that fiend

And only my acceptance will disburse the cloud

But I am not helpless, naked; no longer piping loud

Though when I was, I was unable to sulk upon my mother’s breast

I didn’t know how to struggle against my swaddling bands

Nor that I had to, as I have to now, still, yet, in these my senior years

The tragedy written for me to play was not play

For me but was for the supporting cast

And their comedy found me the butt of every asinine joke

No.  Mirth was not mine, is not mine still

My bands swaddle not, did not swaddle, do but stifle, did stifle

Yet the author, the omnipotent author, with every reason to know better, composes

A hackneyed part so derivative that scholars reprise the same,

The tired character in their discipline and the same scholars now think

The schizophrenogenic mother a fiction but I rethink the same

The fictive character of that postulate, that a mother would

Manifest upon this helpless, naked infant—

This child of bipolar, or schizoaffective disorder

Writ deep in Virginia Satir’s suppressed family secret

Satiric family, satire of a family, familiar statistics

A production in a late-night rehearsal

Of a malevolent plot the leading lady’s desperate

Protagonist on strike; the stage lights dim

Darkness disburses out in the theater’s illuminated exit rows

The show is over, makeup sanitized off the face of reason

Outside, in the light of day, naked realization

Identifying a self-defining moment of truth, defying, momentous truth:

I am not that I am,

Not that I am I was made to be

That problem child I am not

I will be what I will to be

What I am, I am me

I am my identity, my me

What I am is what I am

I say loud:

I am I

I say loud:

I am me

My me

Identity

I am

I

Who Am I; Who Are You?

After resting for 45 minutes motionless, with acupuncture needles in my face, arms, abdomen, and legs, my doctor come into my room.

“How are you feeling?” he asked.

“Peaceful,” I replied.

“Good,” my doctor said.

I thought to myself, “How many people that I know could I tell I’m peaceful?  How many situations that I find myself in would the subject of peacefulness be an appropriate conversation topic?”  And, “How many people would think I’m weird to tell them I feel peaceful?  Or not understand?”  Certainly, not at the Blues Club I frequent.  Or in my casual social occasions at the coffee shop or diner.

But my point is not how out-of-place talk of peace is.  My point is how often our conversation is constrained by our environment.  How often who we are is determined by whom we are talking to.

There are people with whom sports seems to be all I can talk about.  And I’m not that into sports.  There are people I talk about work issues with.  There are people with whom I act as a professional counselor.  There are some I seem to be talking about politics with.  Some are academic colleagues and we talk about philosophy.  Not too many people I can talk about poetry with.  There are some situations in which we complain and gripe.  There are a few people with whom I can bare my soul.  Who am I in each of these different scenarios?

There are degrees of authentic presence with other people.  There are situations in which we are polite and mannerly, which is essentially following a rule book.  There are situations in which we are diplomatic which requires sensitivity, fast and careful thinking and word choice.  There are times when we say what we think other people want to hear.  Then there are the feelings with which we encounter others.  Sometimes we speak in mutual love.  Sometimes we speak in mutual anger.  Sometimes we speak in mutual sincerity.  Sometimes in company with others we feel lonely because there is much of who we are that we cannot express in the environments we find ourselves in.  Ralph Waldo Emerson speaks of situations in which one cannot talk because the listening audience is to heterodox to the one talking.    Who are we in these differing ways of dialogue?

I think that there are different degrees of depth in our personality makeup.  When we are alone, some of us are in touch with a depth that we can’t express in public, for various reasons.  We think, do, and feel as we wish when we are alone.  This may be who we really are.  There is also meditation and prayer, which takes us to an altered, deep level of personality above ordinary experience.

So who we are alone is one measure of the self.  Then, on the other hand, there are times when a person gets lost in sociality.  These are times when our environment dictates who we are, how we act.  When I was a Harvard student in Boston, I felt so connected to my social environment that there was no real divide between me and the culture of Harvard.  On the positive side, I was learning social graces and expanding my intellect.  On a negative side, I was all surface, appearance, propriety.  I lost my feeling of peace when alone in Nature.

But we can’t love when we are alone.  Love isn’t a feeling we shine out from our heart.  Love is an action word.  We love when we are involved with others.  We can love, also, when we do something of service to others, even when we are alone.  When I write, or play music, which will eventually get to other people, I love what I am doing.  My love for others comes out in words or melodies.  Sometimes peacefulness comes out.  When I am in company with others, I aim to bring love and the Good to our encounter, my love for humanity, and what I have learned to date that is good.  I may listen empathetically; I may joke around; I may share my personal life, I may inquire about others’ loves, lives, interests.  In all this I strive to be authentic.  I want people to meet who I am, not who I want people to think I am.

Once, a long time ago, I was talking to a stranger in a bar.  She said, “I’ve never met a real person before.”  I hope that wasn’t the whole truth.  But I think that we encounter degrees of reality in the people we meet.  I knew a man who accidentally told me that he is skilled in becoming the kind of person he thinks his social companion wants him to be.  That would be the opposite extreme of who I was back in the bar.  Being an authentic self is knowing self, and bringing self to social interactions.  And self in relationship with others is self expanded, growing through the interaction, acting on and in love and the good.  Being authentic in relationships expands who we are as we come away with an encounter of the other, another reality than our own.  While we may be one kind of real self when we are alone, we are also a real self when we are authentic in our relationships.

 

 

Self and Other

T. S. Eliot writes about the power we can give to others.  We can let others tell us who we are.  Eliot’s poetry goes:

The eyes that fix you in a formulated phrase,

And when I am formulated, sprawling on a pin,

When I am pinned and wriggling on the wall,

Then how should I begin

How do we begin to declare who we are when others decide who we are, treat us according to their understanding of us, and pin us to a wall?  When I was in high school, there were jocks, bikers, and hippies.  I identified with the hippies and looked like one, but my best friend was an all-state wrestler.  We can see ourselves according to the category we fall into.  In high school, pressures are extreme when it comes to emotional survival and identity.  And the answer to self and other can become identification with a peer group.  Then where is the self?

Things continue in this vein when we enter adulthood, though with less extreme pressure.  People can become identified with their role in life.  How others see us can depend on the money we make, the job we do and how important that job is, the things we possess, our social graces, our families.  I remember when I had graduated with a master’s degree and did’t know what my next step in life would be.  I was applying to Ph.D. programs, but didn’t know if I would be accepted.  This period of uncertainty occupied about 6-months.  I didn’t have an identity.  When people asked me what I do for a living, I didn’t have an answer, and people didn’t know what to do with me.  I know of people whose life centres around their family.  Their primary relations are with their spouse and children.  Some of them do not know how to relate to the world outside their families.

The question is one of self and other.  How do we relate to others?  When a person expends much effort creating a public persona–buying the right things, talking in the “in” language–and this includes the social graces, functioning in a profession that grants prestige and dignity, one can actually become very lonely.  One’s soul no longer communicates with others in an honest way.  In religion, this would be called “worldliness.”  There are other issues.  Some indulge in substances.  Consider drinking.  A whole culture surrounds drinking.  There are drinking games.  There are drinking parties–knowing how to party can be important.  There is a whole bar culture that any alcohol commercial sells.  Then there is a luxury car that says exceptional people make the rules–they don’t follow them.  But buying that car is what makes a person exceptional, along with following the surfing culture which is a “cool” thing to do.  These examples show how identity is falsely created by dependance on things external to the self.  Self can be very lonely when one depends on extrinsic things for identity.

Self confidence gives one the freedom to be authentic.  And this means being authentic with everyone–spouse, friends, co-workers.  An old rock group sings, “You know who you are, you don’t give a damn.”  I asked a native elder about moving away from home and loneliness.  His response was similar.  “If you are firmly grounded in who you are, there is no loneliness.”  Being who one truly is, and encountering other in that capacity is the only solution that gives true relationship and community.