PAS DE DEUX: MY DANCE WITH THE MACHINE: A COMEDY IN THREE ACTS

Any More Than The Way Things Are

My Irish-Catholic friend published a book
About a world-famous Irish-Catholic poet
On a highly respected Irish-Catholic university press
And teaches college in a large, deeply Irish-Catholic city

I am a Swedenborgian
And even if I wrote a book about William Blake
There are no highly respected Swedenborgian university presses
Or big cities with prominent Swedenborgian populations

I have to think that all this matters
Isn’t it why my dissertation director counseled me not to write
About Swedenborg, for the sake of my career?

–“Academics don’t know, in fact, what they are suppressing”–

The dean of a Lutheran university confessed to me over breakfast
The General Secretary of a prominent interdenominational organization
Asked me over lunch why I am a Swedenborgian, meaning, I think,
“Why on earth are you a Swedenborgian?!”

Time was I believed that if I worked hard, became good at what I do
Success would be laid at my feet, not disappointment
It takes other things than being good at what I do
And I wonder that I am passed over for so many things I am good at

I am not asking for a leg-up toward success
Any more than is the way things are in this world
My Irish-Catholic friend is good at what he does
As am I, a Swedenborgian

Disappointment

Disappointment only descends upon failed ambitions
More than just getting your hopes up, as, for example, winning The Lottery
Expectations in general that fall through
Especially ambitions’ realization evaporating as one watches

Years pass, the doors close on what could have been
Out of time; out a life; a lifetime passed by
They say Reike can heal time—the past, present, what will be
Which is a different understanding of time that I know

Carol tells me that she has no ambitions, never did
My mother wonders where mine came from, since
Neither she nor Dad craved other than their work, homelife

–Nor credited me with success—

There’s something so real about Carol, which echoes back to a place I once was
I take it her upbringing on a farm
Where dirt and the harvest cycle are as real as it gets
Formed her out of the dust of the earth

The blanched suburbia of my impoverished culture
The shallow depths I almost drowned in
The neglect and torment my nascent family ignored and inflicted
Perhaps conspired to inspire my drive to reach for what my hand never grasped

I don’t know if Carol knows my disappointment
She has come to terms with riches she will never own
Guess it is not for me to posit where I would be
Why I continue to reach; I think Carol likes it

Some Glad Morning

I raged against the machine and did my own thing
Cultivating the garden that is my soul: wisdom, love
I didn’t care if they groomed me for success
Or if they said that I was just a fool

And so, my self found development in accord with aspiration’s beckon
Ever evolving aspirations leading my meandering pathway. I am pleased.
So why do I want that machine against which I raged
Now to bless me, sanctify my works with recognition and acclaim?

I wouldn’t say that I resisted playing ball with it all
I wasn’t in it for the game.  Karma drove my play
More than systemic machinations: I never felt like

–A cog in something turning, never cared to—

I followed and worked through my karma: the issues and stages
I got out of my system, that were me, became what is not me
Yet not another; self—the salve and the wound
The problem and the solution, the lock and the key

I suppose I made too much of eternity
Some told me I was too old to be thinking like that
And yet, I am old now and had better be thinking like that
So why this desperation about credit from the system I never much rated?

I suppose it isn’t so much about credit, I have credentials
Damn craving for more laurels I will never rest on and smile!
I do smile, smile at who I was and am: this beloved self
This no self, no permanency, only eternity of states flowing into who I am

WITH US TOGETHER

I am better with us together

Better than I was when I was alone

We’re both better with each other

Than when each of us was only one

We two together made me make a start

Toward a new approach to the life I’m living

Which never would have happened when apart

Apart from you and all the life you’re giving

With us together, your life flows into my own

Your influence wore down my harsh self-assertion

As water’s current smooths adamantine stone

Or discordant edges in a person

Like a river’s constant, faithful current

You give me consistent affirmation,

My heart secure with your encouragement,

I work my dreams into manifestation

All with you and all because of you

I incarnate learning with confidence

Ever seeking teachings to help me grow

And guide my heart in spiritual ascendance

Our love is a crucible, burning

With refining fire that purifies

All our aspirations, all our learning

Rising to a finer us, to higher highs

REMEMBRANCES OF ICONIC CHICAGO

I remember old, green copper and concrete lighthouses,

Green algae seaweed patched concrete water level lighthouse bases,

Water-worn wooden posts standing at angles in front of them

We floated past on the Chicago River tour boat that afternoon

They render in my mind more than

 

the iconic Chicago skyline,

the angular, massive, stainless-steel Jay Pritzker Pavilion in Millennium Park,

the Aquarium,

The Sears Building we went up in to the observation floor,

The Green Mill Speakeasy where Al Capone used to hang,

 

As does the folk art that covered the walls on all three floors in The House of Blues

A shrine, it seemed

I remember one set depicts images of folk shot with bullet holes, bleeding

Every folk in the paintings shot, in that African-American artwork’s neighborhood

I remember the second-floor stage with nine world religions symbols across and above it

Symbols captured in language in the central iconic image above the stage

 

UNITY IN DIVERSITY

ALL ARE ONE

 

The burning heart on the ground-floor stage curtain

Iconography like the Catholic Sacred Heart

(Yes, I remember, too, the disappointing blues band there in iconic Chicago)

Taking home rather the impression of a visit to a shrine

 

As does a black man at Buddy Guy’s who remembered me from The House of Blues last night

Joined us at our table tonight, with funny jibes, japes, and jabs

While his wife smiled and shook her head sometimes

 

As does the personal appearance of Mayor Lori Lightfoot on the 4th of July

At an outdoor concert in the Jay Pritzker Pavilion in Millennium Park early evening

Seeing her more memorable than the event itself

And now in Canada we see Mayor Lori Lightfoot on TV and smile at each other

 

(Maybe the free Picasso “Untitled” in Daley Plaza)—Carol liked it perhaps the best

 

Of course, I remember the patient, eager, hour’s wait to get into the Art Institute of Chicago

Paying extra for a special exhibit I now forget

Waiting in line to just view certain paintings:

“Arrival of the Normandy Train, Gare Saint-Lazare,” by Monet

“American Gothic”

And me being the only one in a whole exhibit room of early Christian art

(Part of me is glad that the proximity of religion

Hasn’t let Christian art be considered art in the same sense as Monet’s Impressionism)

 

Carol and I talk about what we remember

We talk about the trip

Things that meant, what Chicago meant

Chicago meant

EVOCATIVE NOMINATIVES

Sky mountains waterfalls ocean depths

Snowflakes white earth rivers frozen lakes

Leaves in the air fallen on the sodden ground enveloped by the season

Raindrops vaporescent oceans downpours clouds

Mist meadows fog sky rainbows

Faces mobs friends the human race

Love a God above devotion heaven sky and earth

KEY WEST: NIGHT CRUISE

The sun had left to darkness the reflecting sea

And the sunset gave the night to you and me

That we watched from the harbor,

The masts’ rigging weaving an arbor

Of love.  The night yielded up silhouettes I cared no longer to see

While I gazed on you in the harbor glow.  Some moments suffice for eternity

 

EXPLANATORY NOTE: Dear visitors to my site: Your each visit means so much to me, and when you “like” one of my posts it makes my evening (I usually post late at night, my time).  You may have noticed a recent flurry of posts–sometimes even two a day.  This is not a sprint of new creation.  I am revising some old(er) poems with an aim of assembling a collection to send out for publication.  To no small degree, I weigh the response my poems get from the internet to gauge whether I will include them in my collection.  In general, when I get a favorable response from the net, I, too, prefer the given poem, personally.  So I think the net is an accurate metric to consider when I make my final determination about whether to include or scrap a poem from the ultimate collection.  So thank you each and every one for taking the time to visit this site.  Your visits and even more, your feedback, are so much appreciated!  Sorry if lately I’ve been sending a plethora of scribblings into your inboxes.

THE WHOLE WORLD SHOUTS, “YES!”

I passed the greater passage of my time alone

Sometimes I stood against the world and I felt fine

At other times, a peaceful solitude I’ve known

But all I was and all I did was only mine

 

Now my life is our life!  You are with me!  We two!

Your presence dances in my work, effort, ambition

New purpose that I never knew devolves from you

All for you, for us, is now my inspiration

 

With you my life is blessed

With you is happiness

With you I want the best

With you the whole world shouts, “YES!”

 

Now my world, my universe, is doubly joyous

Now I am we

And joy or grief for me is joy or grief for us

Solo so long, we two is all I ever want to be

OUR LOVE FOR EACH OTHER IS TRUE

For both of us it’s been a trying year

My new med change, you lost your old career

I felt drowning in manic passion

You seemed overwhelmed with stress and fear

We stayed together despite desperation

We struggled but remained in relation

 

In hard times and in good times we still date

Regardless of the trouble on our plate

You are my support; I support you

As we accept—in fact, embrace—our fate

Our love runs deep through all that we go through

In ease, in strain, in everything we do

 

And now it seems we’re coming through our trials

Our grimaces are yielding into smiles

The psychic storm we both drove through is ceasing

Having churned through tempestuous miles

Our difficulty finally is easing

And pleasure in each other still is pleasing

TOGETHERNESS MAKES ALL THE DIFFERENCE

With you with me, I can handle anything

It feels sometimes as if the world is at me

Frustrations, failures, attacks enemies bring

In all, your holding me holds me steady

 

As Tristan and Isolde lived on love’s bliss

Our Love Grotto blesses every place and date

The outside world which whirls outside our kiss

Our love and deeds receive and penetrate

 

And when I err—I do—and stray awry

You call me back and straighten my direction

In all the flowering arts I love to try

When weakness saps, you fire my motivation

 

In life what matters most to me is us

We are salvation among change and sin

An anchor when seas turn tempestuous

I became we; then did my life begin

 

It is a holy gift to love and care

The world, too often, is indifference

We are the answer to each other’s prayer

Togetherness makes all the difference

LEONARDO’S SONNETS PART II

In fact, brain synapses configure

New pathways forming in gray matter

Thought processes and capacities for

New comprehension’s creation

Creativity

Reading a new work viewing

A new art form or revisiting such as

The Mona Lisa

LINES WRITTEN IN DEJECTION, NEAR NAPLES

Fugue V from Well-Tempered Clavier

And in the new generation, creation, art work

Writing a sonnet

A whole new brain is born

Any least aspect changes the whole

Recasts the mold fashioning

Consciousness

Any new experience and learning

Love

Repentance

The Rig Veda

Makes a new capability to make

And so, the sonnets of Leonardo

Indeed conspire in the painting of

The Mona Lisa

OKOS

OKOS

 

Okos,” my grandmother used to call me in Hungarian

When I was young and trying to sound profound

“I see what you’re trying to do; you’re trying to sound smart,”

My writing coach told me much later in grad school,

“Sometimes you carry if off brilliantly.”

A couple people even thought me a genius, though I.Q. tests have not validated the presumption

“I think that is a low reading; they have better tests, now,” my psychologist said

And I wondered why make a test if you don’t trust the results

Me, skeptical of the whole notion of genius

I.Q.

And now the degrees I carry certify me smart

And I don’t have to try

 

It’s easy to impress when to go for the intellect

It’s so measurable, quantifiable, easy to see

It’s all so easy

Witness the admiration our social structure bestows upon the smart

You’ll endear yourself to any mother by saying her child is smart

It’s all so easy

I had a hard time explaining to a man deprived of education

That knowing a lot isn’t intelligence; that you can be smart without school

 

Wisdom is a fine acquisition

Deep insights devolve from learning, coupled with reflection

As naturally as an ancient tree grows summer fruit from spring blossoms in due season

And learning can be acquired by anyone through application and motivation

The ambiguous ambition to be okos

Not necessarily smart

 

The wash and impression of intelligence drowns out

The song of simple goodness

What of kind, caring, good-nature, nicety?

What of love?

“Now I’m among dumb, nice people

“Instead of cruel intelligent people,”

A Yale grad told me at a church convention

I don’t know why brilliant academicians want to be so cutting

Why they don’t want to be kind, caring, good-natured, nice guys

What of soul? Of Blues?

And Miles Davis Freddy Freeloader

Lives in the same world as Bach fugues

And people love Beethoven’s Moonlight Sonata and Fur Elise more

Than his mighty 3rd Symphony

And I love Bist Du Bei Mir,

Written for his wife, as much as

Bach’s Great G-Minor Fantasy and Fugue

 

And what of savage Nietzsche?

What of aristocracy’s progeny and their will to power?

Cutting comments twisted from intellectual cleverness

As if slave morality gives birth to

“sympathy, the kind, helping hand, the warm heart, patience, humility, and friendliness”

As if the good must be

“the safe man: he is good natured, easily deceived, perhaps a little stupid, un bonhomme

Yes, un bonhomme—a good man

No.  It does not all come down to Nietzsche.  and in this Nietzsche is dead wrong

Though he describes so well the desiderata I advocate and so desire to be and become

“Nice guys finish last,” they used to say

And I’ll finish last if that’s the necessary legacy of being

Nice

I don’t know what the Hungarian word is

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