THE MASK THAT WASN’T THE 50’s

The veneer that was the 50’s

Cracked open, broke decent pretense

A massive cultural mythology

Imposed by retired military-industrial-congressional complex

Reasons for the mask that suburbs looked like

Took a generation of activists to unmask

And uprise against the subordination of the feminine mystique

White-washed and express racial exclusion

From proximity, opportunity, drinking fountains

Pulling the covers off infidelity

Drunken suburban neighborhood house parties

Off-stage of Ozzie and Harriet and Donna Reed

Woodstock didn’t so much liberate

As unmask, dismantle dissemblance, crack the veneer

That wasn’t the 50’s

Capitalism, Socialism, and COVID-19

In the Unites States, there is pressure to reopen.  And some areas are reopening in ways that disregard the advice of medicine.  For instance, in Wisconsin, bars are open with patrons partying shoulder-to-shoulder, swizzling beers and shots.  Wisconsin is a laboratory for the rest of us.  If everything goes well, so much the better.  If Wisconsin shows a peak of new COVID-19 cases, then the medical experts were right.  I gamble sometimes, but I wouldn’t gamble as Wisconsin is.  But the real issue is, why this desperation to reopen?  I think that the answer is in political systems.  And it comes down to a test of capitalism versus socialism.

The pressures to reopen in the US are driven by economics.  People are out of money.  The US government redistributed wealth in the form of a one-time check for $1,200.  For most Americans, that wouldn’t even cover one month’s rent.  Then there are electric bills, cable and internet bills, phone, and food–just to name a few expenses that an average household owes monthly.  So Americans are desperate.  It wasn’t cabin fever that led to armed protests in Lansing, Michigan.  It was desperation driven by economic deprivation.

In France, which has a more socialistic government than the US has, people receive nearly 90% of their work salary as a government subsidy.  I haven’t seen protests in France to reopen.  Neither have I seen them in Canada, where residents can apply for a monthly $2,000 check.  Let’s assume that cabin fever is about equal in the US, France, and Canada.  We see that in France and Canada, cabin fever hasn’t driven people to protest.  The US society is based on capitalism.  Also, the US has a strong tradition of individualism.  That means if you are a white-collar worker, you can work from home and keep your high income.  But if you are a blue-collar worker, it is probable that your income derives from the very workplaces that are shut down during the pandemic.  President Trump has used an executive order to force meat processing plants back to work.  And he hasn’t insisted that proper safety protocols be implemented.  He just wants to eat well.  He has the power to use executive authority to produce COVID tests, to help identify which workers are a threat to others.  But he hasn’t used such an executive order.  For the protesters in the US, money is driving them to risk their lives and to go back to work unsafely.  And for workers in meat processing plants, where safety protocols are not being implemented, Trump is ordering them back to work.  In France and Canada, the national government has set in place safety measures for the whole country to observe–the familiar shelter-in-place orders.  This has not happened in the US.  Trump thinks that such a national policy is socialism.  His capitalistic ideology leads him to encourage the country to open without federal guidance.  “Vaccine or no vaccine, we’re back,” Trump bragged.  The US is careening toward a desperate COVID-19 spike in a few weeks, as it opens economies unsafely.  While France and Canada have kept their numbers down and are instituting a graduated, staged reopening.  That is the difference between capitalism and socialism.  And it is playing out as unsafe and safe reopening plans for the respective political systems.

GENERATIONS

Well known that the elderly don’t

Connect well with the young

But what is new is that it is me

Intellectual trends pass relatively rapidly

I’m out of touch, and

I doubt that what is timeless

Is current

I can’t appreciate contemporary art

Poetry publishers eschew rhyme

Educators put lessons on students’ cell phones

I write poems with pen on paper

 

When we were young, we were hostile

To the older generation

Deliberately sought to overthrow

Society, social dropouts, protesters

We were, when we were

Young

 

Today’s young are indifferent to us

Neither in opposition, nor respect

To them, we are not

I am

Though I am displaced

Generation gap

Agism

But now it’s me

A LITANY COMMERCIALIZING COVID-19

Now that we are all staying apart . . . buy our product

We are all in this together . . . buy our product

Front-line workers, we salute you . . . buy our product

We stand together, though we stand apart . . . buy our product

During these extraordinary times . . . buy our product

There will be a time when we all can stand together . . . buy our product

Your home is now your office, your gym, your school-house . . . buy our product

Together we can help save the restaurants we love . . . by using our product

Adversity came to town, but together we’ll get through it . . . buy our product

We have no shame; we’ll use anything to get you to buy our product

A DALLIANCE WITH ATHEISM

Atheism, the Greek alpha privative applied to God

As if a letter could negate

The Word

But fashion has the apparent privative power

Belief is hard come by these days

In my day I’ve dallied with atheism

More as an academic posture, professional pose, poseur

Pretty important position to impertinently profess

To be unprofessional regarding the confession of God

As fashion

Quite unlike my younger years, when I didn’t know

In my gut

I didn’t know and I don’t know now, but believe

It’s hard to keep faith in mind and heart and life

In your gut

With a thinking mind, overthinking, ubermentation

Entertainment of doubts

It’s quite a thing to believe in things unseen

Unseemly, in fact, out of fashion

As if my mortal soul matters as does a hemline

Lifeline to eternity the believing mind, heart, life.

 

God whispers

 

Aethereal evidence

Evidence acquired through prior assent alone

Solipsistic criteria, a cry in the wilderness

That is this world, this world view, this zeitgeist, the spirit of this age

The Spirit and Words that give life

Life in a time and place in which belief is optional

Optimal

Words, Spirit, life, script for acting good, scripture

Inscribed on the heart, covenant, conformity to script

Information for theological formation not logical formulation

 

God whispers

 

We hear only with prior assent

Ascent out of that which is for this world

That which Is

That which makes this world

Faith in a doubt-filled world, the denial of the world, self-denial, other world

DISCOVERING ART, ARTISTS

It’s taken me this many years, in my mature age

To understand, and, more, to enjoy Shakespeare

For in my younger years, I couldn’t, didn’t

I look forward to the delight in store for me

As play by play, I will open the heavy, leather volumes

Of Shakespeare in my home library

 

I recall, in my youth, my delight

As symphony by symphony, I discovered Beethoven

I recall my sadness, when there were no more symphonies to discover

Symphony by symphony, I had heard them all

Though I can still listen to them time and again

 

I recall, in early manhood, my delight

As novel by novel, I discovered Hemingway

I recall emulating Hemingway’s characters, Hemingway

As I was young, and searching for an identity

 

I recall, also in early manhood, my awe

As I viewed paintings in museums

That I had previously seen only as prints in books

And I could, can, view them time and again

 

So all these years, these good years

Bring me to the doorstep of Shakespeare

And like an eager youth, I anticipate

The delight in store for me

As play by play, I open the heavy, leather volumes

Of Shakespeare in my home library—

A surprising boon bestowed on my advanced years

A MOTHER’S LIFE

My mother’s life is and was

All giving

My creator, an image of my Creator.

Her very blood infused into my veins

She has made a home and a life for me

In my weakness, she was strength

In my want, she was plenty

In my soul, my mind, my aspirations

My mother’s heart is poured into mine

In our differing visions, or visions shared

My mother was there

Supporting, condoling, celebrating

Much of me is not her

Much of me is her

It matters not

She gave, gives

A mother’s life is and was

All giving.

WILDFLOWERS

We love to see a meadow of wild flowers

And take delight in sweet pea, bluebell, pansy

But if we try to pick and hold their beauty

We find they fade and wilt in only hours

 

Still after we have placed them in a vase

We love their delicate pedals and scent

Like flowers, time with friends is only lent

Though beauty in friendships gives life grace

 

And we love it when our friends are nearby

But time with friends tends to be uncertain

If long or short, impermanence is certain

People change; in time we’ll say goodbye

 

Buddhists say that joy in friend or lover

Still is dukkha, suffering or grief

I see the transient nature of all life

Yet still take joy, delight, and pleasure

As it is in friendship, love, or flower

IN THE PEAK OF COVID-19

What was that I needed to get done today?

Well, nothing really—I can barely remember

When they shut us down, shut down my ambition

–“I have to what?!”—”Do what?!”–

That mandated sloth that tells me stall, stop

So I slouch upon my couch, and pass time

At times, I take the time to touch base

With a treasured book—which I never would have

Chasing time filled with needless activity

Chasing a job, a dollar, more money

No money and nothing to spend it on—

I would go to the mall, the bookstore, the casino

And with a home library filled with good books

I never did read, read now—sometimes

When I can find the incentive

And my poems that I organize to send out

Re-read, fix, edit,–search out publishers

When I can’t find the incentive

And just slouch upon the couch

And watch TV that I don’t like

Don’t like not doing what I want to get done

This mandated sloth, this slovenly lost ambition

Not even waiting for it all to be over

Just waiting on time, making time, taking time, time to get something done

Plenty to get done today, and nothing, really

MUSINGS ON MUSIC

Music isn’t just pretty sounds, a pulse

Rock isn’t just a distorted guitar

Blues isn’t just a 12-bar form

Music should strike fire from the heart, so said Beethoven,

Music is poetry of the soul, heart and soul

Soul music, the existence of the soul

Touched by fire, music is a living thing

Life-giving, live or recorded, alive through ages

Living with individuals through life, through aging,

In youth or age, youth and age

Peasant and king hear the same music, so say the Chinese

Pounding through the heart, hearing, heard with soul

Existence of the soul, sounds’ salve, alive

Conducted through electricity in the brain

Singing through synapses in the soul

Symphony of the senses sent from on high

Humans sang before they spoke,

The lilt of language’s inflections

Performances perfecting the human condition

Culture, cultivation, culmination of the muse’s calling

Meaning so much more than pretty sounds, a pulse

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