ARCHITECTURAL NOTES OF ONE MEMORABLE EVENING

The jazz band transformed the narrow, ceramic-tiled club

They rearranged the ratio of people to sound to dark woodwork

The club’s architecture became the chord structures’ foundation to melody

The harmonic structure transported solos all the way up to the ceiling, blew the roof off

And into the sky, out to the streets, I imagined

I didn’t understand the people jabbering and blabbering through it

I stood rapt in the packed club, transported, transformed

Maybe the people had heard them before

(The trumpet was a fixture in town)

In the intense content, I, even I, was content after the two hours.

I noted that any given musician only,

Playing measures measured over time,

Time after time, would finally time out.

Variety shows the composition of the universe

Different faces, voices, combos, intonations

Render exquisite the transportation, the transformation

Of the architecture of a club’s tone, music and staff, vibe and patron

The very foundations—flying and buttressing the harmonic structure

Of one memorable evening

The Blues Musician Plays

The blues musician plays out of dejection

Racial rejection

Keeping the beat

The rhythm of the street

The blues musician plays

Making the groove

The dancers move

Another city, a ride in the van

In a world that doesn’t accept the man

The blues musician plays

The dominant race hears

Unconcerned with his bitter, choked tears

And now new beats reject him again

The audiences age and wane

The blues musician plays

A world of rejection, of dejection

The blues musician plays