COFFEE HOUSE

Way back, I went to one Coffee House
Folk music, acoustic guitar, harpsichord
Hot chocolate, and coffee; dim lights
The only Coffee House I ever went to

            they don’t have them, now

Simon and Garfunkel; Peter, Paul, and Mary
And there was Dylan—Coffee Houses and folk music
Poetic, political, sensitive, intellectual, gently passionate
Or so I hear, but for the one I experienced

            passing away as I came of age

I knew rock concerts in stadia, electric, loud
I went to them when they were underground
(Jethro Tull barely filled the cement floor with folding chairs)
Now rock concerts, rock-stars are mainstream industry

            underground surfacing into pop-culture dominance

Music calling to my youthful intentions heavy and I followed
Bore down on scales, arpeggios, mambos, and fugues
Theory filled my interests; I practiced hours daily in late youth
Until two roads diverged; I divested my passion of full-time art work

            conscious submerging into secret recesses, private

In maturity I must modulate my practice time
Rest and build up piano-specific muscles otherwise unused
Not unlike the arthritis in the great E. Power Biggs’ Bach fingers
My wrists, shoulder, hurt, ribs stiffen

            to replay scales, chords, changes

Modulation of effort’s tonality
Depressing keys, depressing decrepitude
Making music’s exercise caution
Within all this beauty, this duet of body and keystroke

            we all call music in our cultural forms’ venues

I recently checked out a new club
I couldn’t follow any pattern to the loud bass tones
A woman wrapped herself in a flag while singing
A song I couldn’t pick out any real melody: only notes

            looks like things are going that way now

I went in and out of a club
Lights flashing, beats oscillating
I think they call it Techno
Bodies bumping into shots dancing

            Looks like things are going that way now

PRECIPITATE

In the chemistry lab
I have observed solids
Precipitate out of solutions
Flaking out of liquid

Watched many different precipitates
Float down, materializing solids
Emerge out of dissolved
State into solidity, precipitate

And snowflakes are precipitates
When supersaturated air chills
Water crystalizes into solid
Flakes lilting in air

Beautiful, floating, dancing swirls
Render in me peace
Watching out my window
The delicate descending snowflakes

Just a chemical precipitate
Like any other solid
Flaking out of solution
In the chem lab

Depending on the eye
What will be seen?
Snowflakes, called a precipitate,
Crystalline flakes dreamily falling

Drifting flakes’ floating beauty
Chemical equations possess beauty
Conceptually considered intellectual beauty
Reflecting the flakes’ beauty

Not that magical spell
Snowflakes cast on me
Watching out my window
Through my peaceful mind

ON THE ACUPUNCTURE TABLE

Challenge

It is a challenge for me,
As and because I so often challenge myself,
To lie and not move on an acupuncture table
With fine needles in meridians for 40 minutes

Challenging, to do nothing, motionless, for 40 minutes
And what do I have to do?  Shift?  Watch TV, motionless on the couch?
I heal and restore ch’i flow, prone for 40 minutes
My mind blanks and goes I don’t know where, stress relieves

The Hindu Balason Nithya healer scanned me with her third eye and said
I put pressure on myself (she almost said, “stress,” and corrected it)
Her insight astounded me; her call, so right
(Though her guru, Paramahamsa Nithyananda, fled India on rape charges)

I can’t seem to rest and go about the task at hand
Always there are new challenges, a new way to
Make myself anxious, upset, disappointed, with accomplishment’s attempts
And also elated, thrilled, satisfied, with accomplishment

But I’ve been all that before, even in my early 20’s
When I once wrote that I’ve had it all enough for proud contentment
Then, the Balasonic observation manifests again in me—probably
Why it’s hard to lie motionless on the acupuncture table for 40 minutes

Salve

It is, perhaps, something different
To configure my consciousness for happiness
And even as I ponder this, happiness cracks through dour
Cracks through pressure upon the self

Since that happiness nature gifted me
Abruptly caved with bipolar depression
And dancing through the day stumbled
Crashing pleasant drives to do, drive crashed

Craving accomplishment as its own only reward
(I had nothing else)—the ordinary happiness
Gifted us all by nature that made bartenders glad to see me
Such a dance, too, made it difficult to be still

Passive knowing supplanting activity begetting
Now that conscious configuration of consciousness requisite
To render happiness.  And why not crack through dour?
(Without getting into too much trouble)

As a madcap without Hal’s royal safeguard
Can engender, has engendered, by this cutup
When I fancied myself my own legislator
Endearing trouble to this now reflexology of mirth

Reflecting that mirth be a matter of adjustment
Of only consciousness, and it may be that Creative Energy
Is configured toward our several happiness, all
If we but configure toward Its end

THE PLACARD’S LIE

I recall a placard
That said a knight’s
First charge was to
Protect the Catholic Church

I knew this was
Is wrong.  Knights protected
Their liege.  Only Templars
Protected the Catholic Church

This placard was in
A museum of armor
In a city dominated
By the Catholic Church

On my birthday my
Girlfriend surprised me and
Took me to that
Museum because she knew

How much I loved
The Chivalric Romance genre
From a Harvard course
I was taking then

What still bothers me
Is why that placard
Misrepresented what is true
In that Catholic city

PAS DE DEUX: MY DANCE WITH THE MACHINE: A COMEDY IN THREE ACTS

Any More Than The Way Things Are

My Irish-Catholic friend published a book
About a world-famous Irish-Catholic poet
On a highly respected Irish-Catholic university press
And teaches college in a large, deeply Irish-Catholic city

I am a Swedenborgian
And even if I wrote a book about William Blake
There are no highly respected Swedenborgian university presses
Or big cities with prominent Swedenborgian populations

I have to think that all this matters
Isn’t it why my dissertation director counseled me not to write
About Swedenborg, for the sake of my career?

–“Academics don’t know, in fact, what they are suppressing”–

The dean of a Lutheran university confessed to me over breakfast
The General Secretary of a prominent interdenominational organization
Asked me over lunch why I am a Swedenborgian, meaning, I think,
“Why on earth are you a Swedenborgian?!”

Time was I believed that if I worked hard, became good at what I do
Success would be laid at my feet, not disappointment
It takes other things than being good at what I do
And I wonder that I am passed over for so many things I am good at

I am not asking for a leg-up toward success
Any more than is the way things are in this world
My Irish-Catholic friend is good at what he does
As am I, a Swedenborgian

Disappointment

Disappointment only descends upon failed ambitions
More than just getting your hopes up, as, for example, winning The Lottery
Expectations in general that fall through
Especially ambitions’ realization evaporating as one watches

Years pass, the doors close on what could have been
Out of time; out a life; a lifetime passed by
They say Reike can heal time—the past, present, what will be
Which is a different understanding of time that I know

Carol tells me that she has no ambitions, never did
My mother wonders where mine came from, since
Neither she nor Dad craved other than their work, homelife

–Nor credited me with success—

There’s something so real about Carol, which echoes back to a place I once was
I take it her upbringing on a farm
Where dirt and the harvest cycle are as real as it gets
Formed her out of the dust of the earth

The blanched suburbia of my impoverished culture
The shallow depths I almost drowned in
The neglect and torment my nascent family ignored and inflicted
Perhaps conspired to inspire my drive to reach for what my hand never grasped

I don’t know if Carol knows my disappointment
She has come to terms with riches she will never own
Guess it is not for me to posit where I would be
Why I continue to reach; I think Carol likes it

Some Glad Morning

I raged against the machine and did my own thing
Cultivating the garden that is my soul: wisdom, love
I didn’t care if they groomed me for success
Or if they said that I was just a fool

And so, my self found development in accord with aspiration’s beckon
Ever evolving aspirations leading my meandering pathway. I am pleased.
So why do I want that machine against which I raged
Now to bless me, sanctify my works with recognition and acclaim?

I wouldn’t say that I resisted playing ball with it all
I wasn’t in it for the game.  Karma drove my play
More than systemic machinations: I never felt like

–A cog in something turning, never cared to—

I followed and worked through my karma: the issues and stages
I got out of my system, that were me, became what is not me
Yet not another; self—the salve and the wound
The problem and the solution, the lock and the key

I suppose I made too much of eternity
Some told me I was too old to be thinking like that
And yet, I am old now and had better be thinking like that
So why this desperation about credit from the system I never much rated?

I suppose it isn’t so much about credit, I have credentials
Damn craving for more laurels I will never rest on and smile!
I do smile, smile at who I was and am: this beloved self
This no self, no permanency, only eternity of states flowing into who I am

ANY MORE THAN THE WAY THINGS ARE

My Irish-Catholic friend published a book
About a world-famous Irish-Catholic poet
On a highly respected Irish-Catholic university press
And teaches college in a large, deeply Irish-Catholic city

I am a Swedenborgian
And even if I wrote a book about William Blake
There are no highly respected Swedenborgian university presses
Or big cities with prominent Swedenborgian populations

I have to think that all this matters
Isn’t it why my dissertation director counseled me not to write
About Swedenborg, for the sake of my career?

–“Academics don’t know, in fact, what they are suppressing”–

The dean of a Lutheran university confessed to me over breakfast
The General Secretary of a prominent interdenominational organization
Asked me over lunch why I am a Swedenborgian, meaning, I think,
“Why on earth are you a Swedenborgian?!”

Time was I believed that if I worked hard, became good at what I do
Success would be laid at my feet, not disappointment
It takes other things than being good at what I do
And I wonder that I am passed over for so many things I am good at

I am not asking for a leg-up toward success
Any more than is the way things are in this world
My Irish-Catholic friend is good at what he does
As am I, a Swedenborgian

BODHI DHARMA AND BORAT SUBSEQUENT MOVIEFILM

Bodhi Dharma meditated in front of a wall for nine years

I worry because I haven’t seen Borat Subsequent Moviefilm

Nor am I current in some things that count; I have not what I should have

And what counted for Bodhi Dharma? What should he have had

In his meditation during nine years in front of a wall

OK, so his culture was different

And meditation counted, counted maybe as much as

Borat Subsequent Moviefilm, a Lexus, what I should have

Bodhi Dharma aspired to a Shaolin Monastery, anyway

What Bodhi Dharma should have did not count to the Shaolin Monastery

I won’t say I want a life in which having does not count at all

But I will say I want a touchstone for our culture to scrape against

A touchstone to scrape against to evaluate our culture’s metal

I sure hope that Borat Subsequent Moviefilm will not scrape as gold

But I do fear that owning a Lexus would

Various and diverse ideologies coexist in the freedom our culture prizes

Meditation, a Lexus, Borat Subsequent Moviefilm coexist, compete as treasures of our hearts

Even in Christianity, having has infiltrated, called the prosperity gospel

With Jesus a mendicant and the gospel no one can serve God and mammon

And I am no mendicant, and I have not watched Borat Subsequent Moviefilm

Episodic prayer and meditation, episodic piano, and episodic happiness on a good day, I have

THE WASTE THAT DESCENDS UPON ME

I can’t practice with Depakote in me

Playing over the same wrong notes I know better

Before my nightly dose, and it’s all a waste after the pills

It’s only been 6 months since my last med adjustment

It was all a waste for 27 years before my p-doc took me off olanzapine

And I couldn’t play my embarrassed way through a single song

Finish a Tai Ch’i form and someone in the studio noticed

Me wearing a Harvard sweatshirt and asked me

About it and why I couldn’t get it

Now the fog clears in the morning like sleeping off a drunk

And I get back to the piano and the new charts I’m learning

For the new band I’m forming I think I can play in as if my old chops

Were still there, when I could play Bach’s Toccata in D-Minor

And now I’m stumbling through Little Wing after my 10PM meds

The Depakote I can’t play under the influence of or operate heavy machinery

And it’s only rote scales which I need anyway

After my nightly dose, the waste that descends upon me and my practice sessions

I can’t play under the influence of Depakote

Only write

GRADUATE STUDENT

I left my idealism somewhere

Back in early manhood, apprenticeship

For getting by only. 

My knees hurt

Not like they did before, to pay the bills

Dragged in rows by a Commercial Walk Behind Mower

All day

Isn’t it ironic that Wordsworth will sing of

Quarry workers singing as he

Wanders in his daffodils

Whitman will praise the common laborer As he loiters in the grass

The privations, the deprivations

The catalogue of things to do without

Logged into my bitterness–

Formerly an occupation–I try not to be bitter.

I read Hemingway to buoy my spirits–

His Catholic poverty in Paris,

His un-Christian feeling of superiority

Over the vague wealthy.  I guess I feel superior

Or try to feel superior to buoy my spirits.

The indignities,

The fear as I lie to a bill-collector,

Slough subordination,

Try to feel above it all.

To dignify the working class

Your sore knees

Must speak more than their pain—

The bills that demand this dignity

The landed idle

Still demand my money

As they loiter

In the end

I will have to forget

The laborious pain

Of achieving a place of less pain.

            Pain where?

Will I be able to forget adulthood?

When eternity speaks its demands.

ALL THE LAWS WE CALL LINGUISTIC

The words of the Rig Veda are chanted

The revelation that the Rishis heard

Rhythmic hymns that Sarasvati granted

Written down as sacred text and word

The Rishis have been called visionaries

In more than one textbook that I have found

Writing from Eurocentric theories

Which teach that vision is more spiritual than sound

Sarasvati, Goddess of music,

Revealed Her wisdom through the sense of hearing

When all the laws that we call linguistic

Were melody and music and singing

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