THE CITY IN COVID-19

The city is quiet

There are hardly any sirens

Traffic is lighter

When we go for walks

In the deserted park

Drivers wave as they pass

On the nearby roads

I dodge sparse people

In the grocery store

We decided to order take-out

From our favorite restaurant

At home, I write music, play and learn, record,

Read, and there are other projects, chores

But mostly I watch TV

Where I learn the latest about COVID-19

BREATHING THE SPIRIT OF ALCHEMY

The philosopher for Aristotle is not in conflict

He does what he wants and consistently wants what is virtuous

I am more like Paul, who does not what he wants

And does what he does not want

I do not want the legacy of my childhood

Nor the tyrant my father was, nor the misery that was my home

Church was my refuge

A morning’s refuge once a week,

For me, the salve of love

Communion, human and Divine beloved community

A morning’s refuge once a week

Ferment in the crucible of what my life became

Diffusing as tendrils through my passions

Refining the dross that was my upbringing

Veins of gold shining through adamant,

Heavy adamant from my upbringing I carry

In the pilgrimage that is a life’s progress

Toward being whole, gold, unitary

In what I want and in the manifesting power

That spirit has to make, remake, make new

Make conflict cease, bring release, grant peace

IT NEVER USED TO BE

Mike noticed me shaking

Playing at an open stage

The way we had in clubs years ago

The legacy of my psychotic episode years ago,

The effects persisting in my involuntary shakes, fear, and incompetence

Brett noticed me shaking

Almost convulsing onstage at the keyboard

It never used to be like that

The ease, the drive I had to perform

Then the caving fear onstage

The lingering apathy that stole

My passion to play hour upon hour at home

Getting better hour upon hour enthralled

Or onstage before crowds

Eager, excited, up

Darryl tried to jam with me last spring

Remembering my former ability

Thinking me as capable as it used to be

It was sad, the attempt, his generosity

One player quenched by bipolar disorder

Likely doesn’t mean much

But it does to me

IN COVID-19

Subjects wrap themselves in poetry

Today, practically every consideration pales

In comparison with

Tens of thousands infected, thousands dead

Hospitals past capacity, protective gear spent, exhausted

Medical professionals sick, exposed

Failed containment

Considerations pale in comparison with COVID-19

You used to be IT if you had

A Cabbage Patch Doll

And liked Ben and Jerry’s ice cream

Or were hip in the bar

There was even a word for it—

“Trendy,” and yet people were

I wasn’t anybody until I went to Harvard

Yet, things in this world matter

Mean something even in COVID-19

It’s hard to play Mozart piano sonatas, now

But they matter, and my new book of Confucius’ Odes

(Ordered online, in social isolation)

The wind blows a lot of chaff away

In these days

As it carries the virus

Through the entire world

And wraps words around itself

GLAMOR AND BEAUTY

Skin and hair and fingernails and toenails

And eyebrows and eyelashes and eyeshadow

And lips and lipstick and Botox

Lashes and polish and foundation

Makeup and moisturizer and exfoliator

Glamor and allure and sophistication

 

Good nature and simplicity, even innocence

And sincerity and faithfulness and trust

And honesty and emotional honesty and spontaneity

And genuine and caring and kind

And real and unaffected and straightforward

And loving and spiritual and beautiful

SITUATIONAL ETHOS: SCRIPT AND CAST

Self is poured into the social structure

In which one is situated

Options of connection are dependent

On the system in which one is

One is as an actor pouring self into a role

But self is not a role, though he or she act

One is situated

 

Friends are determined

Whom one receives into one’s life

Casting from the script written by the social structure

In which one is situated

Much as my television dictates

The terms of my engagement

(So, tonight I resigned myself to Karate-Kid II)

But I did not choose it

 

Personality improvises

Within the plot structure scripted

By social structures in which

One is situated

Self persists, improvising, developing, and accumulating

Experiences, motivations that persist

As the moon under undulating waves

In the play in which

One is situated

BACK THEN

An old movie

Brought to mind

College friends

We talked about the movie

Back then

When we were friends

That memory

Plays like an old movie clip

EARLY COVID-19

My distance and loneliness

In a poisoned world

My amusements and study

Grow vapid and I wonder

What to do in all this

In my state of shock, my enervated will

I can’t bring myself to do anything

Struggle with the clock that doesn’t seem to move time

Distancing, social isolation, and loneliness

How strange commercials from the old days seem

Tight social groups at cafes, parties, mobs at pop concerts

And New York city streets like a ghost-town

I try to wrap my mind around it all

What it all means, what it will mean

The economy, unemployment, isolation

How long?  What it all means

Shops shut down, restaurants, businesses

And all those workers unemployed now

The number of incidents rises, the death toll

They say weeks, probably months of this

Then we will emerge—but to what?

The scar COVID-19 will leave on the world we used to know

For now, the greatest love means isolation

GRADUATE STUDENT

I left my idealism somewhere

Back in early manhood, apprenticeship

For getting by only.

My knees hurt

Not like they did before, to pay the bills

Walking behind a power-mower

All day

 

Isn’t it ironic that Wordsworth will sing of

Quarry workers singing as he

Wanders in his daffodils

Whitman praises the common laborer

As he loiters in the grass

 

The privations, the deprivations

The catalog of things to do without

Logged into my bitterness–

Formerly an occupation–I try not to be bitter.

 

I read Hemingway to buoy my spirits–

His Catholic poverty in Paris,

His un-Christian feeling of superiority

To the vague wealthy.  I guess I feel superior

 

Or try to feel superior to buoy my spirits.

The indignities,

The fear as I lie to a bill-collector,

Slough subordination,

Try to feel above it all.

While the town keeps me down.

 

To dignify the working class—

Which I am now and a grad student

And the town keeps me down—

Your sore knees

Must speak more than their pain—

The bills that demand their “dignity”

The landed idle

Still demand my money

As they loiter

People and Places and Time and Times

My friends from Boston are in their early 20’s

In my memory

They will always be in their early 20’s

As I will never see them again

Good times

My friends from Virginia will always be in their late 30’s

But for one I remain in contact with

I will never see them again

Impoverished and bitter, then, ambition

Florida was (only) thirteen years ago

And I’ve been back several times

So one would say their friendship continues

My musician friends in Edmonton know how it was here, is now

Club owners, evolution of clubs, live venues that closed

Band members from so many years ago—still in town—

Occasionally regrouping to play for a night or two

In with the locals

Me, an outsider

With all those ways and customs I assimilated,

Left, learned again

Tore away from

My last stand, here

This city home to one million

Chinese, Lebanese, Africans, Indigenous

Those who grew up here

Those like me

Here, tired of new ways, places, my last stand

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