AGENDA SUNDAY, FEB 22–The Gift of Art

As an unemployed Elder, I have finally arrived at a position in life I’ve always wanted: I am free to do my art, in possession of some cultivated “skill,” and I have the will and motivation to do it.

I hope younger Artists are able to find their way here; I never thought I could when I was younger. Certain unreliable factors blocked me:

GREATNESS: I wanted to “make it,” “make a name for myself,” in fact, to be “great.” Now, I want to make art. I have the luxury of it being too late in my life to “arrive.” What a load off! I’m writing a poem about it: JUST HAVING FUN; but it’s not on today’s Agenda.

EMPLOYMENT: I thought I had to have a good and successful job. WHAT A CROCK. When you get to Senior Citizen status, nobody wants to hire you. It will happen to you. EMBRACE IT AS THE BLESSING IT IS! My wish for you is that you find a way to bypass all that. Say you can’t get a job so now you are free to devote yourself to your one true love in your life: your Art.

The only essential thing, is I have Canadian CPP and US Social Security to live on, even if it’s not really enough. It works.

Agenda: Sunday, February 22, 2026:

  1. Complete (hopefully) Poem, DESCARTES’ EPISTEMOLOGY.

2. Practice Piano–My own song, PANIC STATE (I wrote a blog about it a little while ago). Get familiar with the E-Minor Pentatonic Scale; also the chords associated with that Scale–the Dominant Chord is B7 or B Minor 7; the IV Chord is A-Minor; the “blues note,” or flat 5, is Bb (B flat). These are the things I need to know and play without thinking–in every key. Today it is E-Minor Pentatonic.

3. MALL WALKING: It’s too cold to walk outside, and walking is a different kind of exercise than Chen Taiji, which I also do (Grandmaster Chen Zhonghua Practical Method Taiji).

“PANIC STATE” My Song; My Psychosis

     PANIC STATE: The Lead Vocalist for DAVE MATTHEWS BAND likes it! They told me in Charlottesville, in 1992 when I wrote it. I was playing through it, in a piano rehearsal room in the U Virginia Music School. DAVE MATTHEWS was trying out different configurations for his band: word was, "Something big is in the works." 

Playing through it, tonight, I LOVE it. I'm astounded.

My bass teacher in Florida is a Berkeley School of Music graduate. He said the chord changes were too hard for him. They were for me, too--almost. I can play them now, and soon will make a recording.

When you write a note three bars down from the staff, it can get hard to count. I thought it is an Fb, but it's an Eb, below the third bar line down. It doesn't make me smart or anything: it means it has to be written down. So, you figure out how to write it, and there isn't any other way.

My Music Partner in Charlottesville always respected my musicianship--some other players did, too. But but I didn't realize it, and didn't have a strong profile. I was a Ph.D. Religious Studies Major.

I asked the singer for DAVE MATTHEWS BAND, because I wrote it just before my psychotic hospitalization. I had lost my perspective. I couldn't evaluate anything--was an author's point a solid argument I could rely on to quote? Why does everything look like a cartoon of reality? My close friend told me I'd list my gift for poetry. He'd read my poems at Harvard, and said my poems as a Ph.D. Candidate lost it.
Now, 34 years later, I'm astounded. Can a composer say that about their own compositions?

It hurts, which makes me bitter and I can lash out that Edmonton does nor not credit me as someone who can write PANIC STATE.

The Internet world changes what "local" means. I consider a poet in Portugal my brother. An Architect in Transylvania, my sister. I have a colleague who is an Art Professor in Italy who travels and posts photographs of Temples and Statues in India, and orher places in Asia. When PANIC STATE gets a good recording, "locals" on the Internet will give me a listen. Maybe a friend I knew in 1992 in THE DAVE MATTHEWS BAND will hear it, and then it doesn't matter if someone on Edmonton's streets listens, or knows who I am.
Edmonton favours its own. I like a lot of Edmonton Players.

ENIGMATIC DR DAVE ENTERPRISES, PRELUDED

PLEASE VISIT MY FACEBOOK, TikTok, and Instagram pages!

Thank you for caring about Art and Artists.

ENIGMATIC DR DAVE ENTERPRISES, PRELUDED

WORDS AND MUSIC BY THE POET

WORDS AND MUSIC BY THE POET

These words are taking me away from my piano
All art requires dedication, but music, a special dedication
Art gives grace to the human who decides to dedicate
A life, or even part of a life, to art
When I’m done with these words, I’ll be at the piano
Finding my way around the key of E
Alone, just me and the piano keys
When you make music, mind flows into body, maybe like dance,
Music involves you with inflexible laws of physics
Which become laws of the musician’s heart and soul and muscle memory
I write these words in a dive with Alternative Rock in the background
I glance at the waitress, the bartender, customers
As I manifest this poem into these words
And I am not alone—just me and these words
Hemingway wrote in La Closerie des Lilas for the same reason
None of this can happen when I am in the key of E
It is only the articulation of my fingers on certain select piano keys
No music can be in the background; the only music that is
I make
Writing poetry is closer to waking life than playing music is
We are immersed in words much of the day
Not so, the specific piano keys you must depress—and no others—in E
You must wrench yourself away from everything
When you come to the piano
That is why it is sometimes hard to practice
You don’t want to leave everything
Unless music is everything to you
And it is when you are playing
A spell overtakes you and the ecstasy
Makes you wonder later why you weren’t at the piano sooner

SEDUCTION

The day was seductive.
Maybe I felt too good.
You’re always second-guessing your mood
When you have bipolar disorder
I don’t think I’m manic
A day like today can make a guy think money doesn’t matter
That a life devoted to liberal arts is a good idea
Make you shrug off for a moment the debt you undertook
And you’re still paying on your education 27 years later,
That 17 years of your life in school, impoverished,
Did something good to your soul, and it is a good idea
To do something good to your soul
That jamming on keys with a blues guitar player all morning
And a walk in the park with a sober friend, talking
On a sunny, 75-degree day
Would make you feel so good you question whether you’re manic,
Forget that you’re years past due for a teeth cleaning
That you can’t get the root canal and a few crowns
And though your home is Canada, you used the remaining balance
On your American credit card to pay for your oil change
That just yesterday I went out for a cup of tea instead of breakfast

TOO MUCH ART

Too much art can ruin a guy
Make a guy think that scales and well-crafted phrases matter
More than the well-being of people, more than wishing well
For those whose lives we touch, for yourself
Then, when someone’s father needs to be put in extended-care,
Or your car breaks, your world collapses
You won’t know how to deal
How to care
Religion puts it all in perspective
Gives your soul strength of life you need to get by
I preached today; I’m alright with the world
The rear axel on my car sounds like it will probably break soon
It could be the differential; maybe only shocks—I’m not a mechanic
Either way I won’t be able to fix it
I emerge out from my protected home life
I’m listening to club music I don’t particularly like
Because it’s the young barkeep’s style and it makes her happy
The whole idea of it all is cute, and
I’ve heard enough Jethro Tull in my day,
Sympathy for the Devil over 50 years
The music morphs
It’s anemic, vapid pop and
I sadly reflect that it may reflect her generation
You hope not, wish that you had Whitman’s gift of optimism
Too much art can ruin a guy
I was in church, today, and I’m alright with the world

SCALES

I will be at scales, tonight
Despite my flaws, Carol accepts me as perfect for her
She is perfect for me, our world is perfect
As perfect as can be this side of eternity
But the world isn’t Carol
My world can’t be only Carol, can’t be only our world
The world doesn’t care about me as does Carol—why would it?
There are 24 key signatures, all with their scales
48, if you count pentatonic scales, then there are 7 modes in every key
Though, to me, the modes are another matter
This all is expected of me, of every musician; I expect it of me
If I’m not careful, I’ll rest content in Carol’s valuation of my worth
Rest in the perfect world our own, in our care for each other
Carol doesn’t care about scales—why would she?
Though she is my whole world, we are the whole world to each other
The world is not Carol
If I’m going to solo in Santana, I had better be sure in my scales
Then, eternity is more than scales
And the man playing the scales is as the music in eternity
Time was, that man was all that mattered to me
But the world is not eternity
Even if I think I’ll find eternity planted in the world, through the world
It isn’t either-or, the world and eternity
It’s good to plant my feet on the ground, even if the ground be art
Carol likes it when I play a song for her

LIKE DANNY RAND’S IRON FIST

Esteem is non-transferable
Maybe a life of ambition has netted accomplishments which are admired
And you’re proud of what you’ve amounted to,
Honors, awards, and achievements amassed and acquired in college
You list them in an early resumé but not in maturity,
Their merit fades like ability with age, fading skillsets
And the memory of what you once were, once could do is not the same
As the ability itself and proficiency, even if at one time
It was your own, was who you are, what you are, were
One can measure age by abilities one has lost
Maybe we have rested on our esteem too long,
Taking credit instead for actual ability

—Then there may be other considerations—

But respect from mastery of a discipline is a non-transferable asset
That status of my Harvard degree in religion and culture doesn’t translate
Onto the dance floor from the digital keyboard of my piano to listeners
It’s the actuality of tonal rhythm my technique must generate.
Into every new world an expansive soul is summoned because it is new
Esteem cannot be imported but must be earned afresh as Danny Rand
Fought the mythic dragon and earned by his own efforts The Iron Fist
Contending to master arts of new disciplines in answer to wisdom’s howl
The expansive soul’s ventures grow comfortable in unfamiliar realms
Didn’t Leonardo’s poetry, inventions, astronomy, and architecture color
The brushstrokes of the Mona Lisa?  And Newton wrote theology;
Bach taught Latin; Einstein played the violin; not cowering before
The daunting other, the ignominy of beginning, the risk of failed esteem
And my Kung Fu master was going to ask me to leave his studio
Because I wasn’t getting it.  Much later, he made me star in videos
He filmed for newcomers as promos at his New Year’s celebration
And another student and I were teaching assistants when we brought him
To Harvard phys-ed and packed the gym.  At the Chinese Cultural Center
One of the senior students watched me and made signs, as his English
Wasn’t good, imitating my awkward beginnings there and how I am now
The nobility of my experiences with behavior health sciences,
Contending with the fog of a mind touched with fire, sedated by meds
Swimming through barely functioning, losing excellences I once knew
Or my 26 years clean and sober and serenity’s radical recast of success
Now I awaken nude in incompetence, wishing for nobility to transfer
Into a world that never knew me before,
Who I was, what I was, what I could do
Only my performance in this iteration of identity

TUNNEL EXIT

It’s hard to find words for joy
And who wants to read happy poems?
Poetry begins in a pang
And sings the still, sad song of humanity
But I’m done with sad
This growing blithe spirit of mine
Hail to me my blithe spirit
“O friends, no more these sad tones
“Let us instead strike up more pleasing and more joyful ones!”
But what would those joyful tones be?
I don’t know, standing here bathed in light
Just at the tunnel exit, the darkness behind me
The interminable tunnel, the darkness when you’re in it
And I’ve been in it so long, so interminably long
Don’t we coalesce in misery together like an overcast sky
This amassing thunder-cloud with its strike of God-shock
That Götterfunken Schiller revealed; Beethoven immortalized
This confrontation with misery, this visit with trauma
This release, these successive explosions of what is not
Moksha, the liberation of which the Indic speak
There is no sunshine like just after the thunder-storm
Inspiring the shepherd’s hymn of thanksgiving
I can enjoy in golden moments, enjoy playing the keys, the music
I act effortlessly at times, have drive
Not compel a soporific lethargy to get it done
The tunnel behind me reaches back in misery
Back, behind the blithe light in which I now stand
At the tunnel exit
And today I am happy, happy at this moment I want

I CAN’T PRACTICE TONIGHT

My own car is parked across town at my partner’s place
I can’t practice my keyboards tonight
Making music is a far cry from nowhere, now
In this scattered mind driven to alarmed glances out the window
Every ten minutes by anxiety from the 911 call
I made again only three days ago, and three days before that
In broad daylight the first time, and then at 4AM the second time
I was still up, reading, when they vandalized my friend’s pickup truck
They attached a charger to his battery the first time with obvious intent
Same guys, same truck, same hollering obscenities at 3AM, loud hip-hop
Blaring in the parking lot from the apartment that lets him in
We glared eye-to-eye while I walked from the doorway to my own car
Next day, and I don’t know how it would have turned out
Had it come to other than eye contact, watching my every move
It isn’t just my dimmed apartment lights
—I don’t think he knows which window is mine—
It’s more my alarmed glance out the window at every clamor
Thump, car-door shut, every yell from the parking lot, or scream
My mobile phone always within reach, my scattered nerves
—I don’t want another Night on Bald Mountain—
My own car parked across town tonight, at my partner’s place
I can’t practice my keyboards tonight

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