THE PLACARD’S LIE

I recall a placard
That said a knight’s
First charge was to
Protect the Catholic Church

I knew this was
Is wrong.  Knights protected
Their liege.  Only Templars
Protected the Catholic Church

This placard was in
A museum of armor
In a city dominated
By the Catholic Church

On my birthday my
Girlfriend surprised me and
Took me to that
Museum because she knew

How much I loved
The Chivalric Romance genre
From a Harvard course
I was taking then

What still bothers me
Is why that placard
Misrepresented what is true
In that Catholic city

PAS DE DEUX: MY DANCE WITH THE MACHINE: A COMEDY IN THREE ACTS

Any More Than The Way Things Are

My Irish-Catholic friend published a book
About a world-famous Irish-Catholic poet
On a highly respected Irish-Catholic university press
And teaches college in a large, deeply Irish-Catholic city

I am a Swedenborgian
And even if I wrote a book about William Blake
There are no highly respected Swedenborgian university presses
Or big cities with prominent Swedenborgian populations

I have to think that all this matters
Isn’t it why my dissertation director counseled me not to write
About Swedenborg, for the sake of my career?

–“Academics don’t know, in fact, what they are suppressing”–

The dean of a Lutheran university confessed to me over breakfast
The General Secretary of a prominent interdenominational organization
Asked me over lunch why I am a Swedenborgian, meaning, I think,
“Why on earth are you a Swedenborgian?!”

Time was I believed that if I worked hard, became good at what I do
Success would be laid at my feet, not disappointment
It takes other things than being good at what I do
And I wonder that I am passed over for so many things I am good at

I am not asking for a leg-up toward success
Any more than is the way things are in this world
My Irish-Catholic friend is good at what he does
As am I, a Swedenborgian

Disappointment

Disappointment only descends upon failed ambitions
More than just getting your hopes up, as, for example, winning The Lottery
Expectations in general that fall through
Especially ambitions’ realization evaporating as one watches

Years pass, the doors close on what could have been
Out of time; out a life; a lifetime passed by
They say Reike can heal time—the past, present, what will be
Which is a different understanding of time that I know

Carol tells me that she has no ambitions, never did
My mother wonders where mine came from, since
Neither she nor Dad craved other than their work, homelife

–Nor credited me with success—

There’s something so real about Carol, which echoes back to a place I once was
I take it her upbringing on a farm
Where dirt and the harvest cycle are as real as it gets
Formed her out of the dust of the earth

The blanched suburbia of my impoverished culture
The shallow depths I almost drowned in
The neglect and torment my nascent family ignored and inflicted
Perhaps conspired to inspire my drive to reach for what my hand never grasped

I don’t know if Carol knows my disappointment
She has come to terms with riches she will never own
Guess it is not for me to posit where I would be
Why I continue to reach; I think Carol likes it

Some Glad Morning

I raged against the machine and did my own thing
Cultivating the garden that is my soul: wisdom, love
I didn’t care if they groomed me for success
Or if they said that I was just a fool

And so, my self found development in accord with aspiration’s beckon
Ever evolving aspirations leading my meandering pathway. I am pleased.
So why do I want that machine against which I raged
Now to bless me, sanctify my works with recognition and acclaim?

I wouldn’t say that I resisted playing ball with it all
I wasn’t in it for the game.  Karma drove my play
More than systemic machinations: I never felt like

–A cog in something turning, never cared to—

I followed and worked through my karma: the issues and stages
I got out of my system, that were me, became what is not me
Yet not another; self—the salve and the wound
The problem and the solution, the lock and the key

I suppose I made too much of eternity
Some told me I was too old to be thinking like that
And yet, I am old now and had better be thinking like that
So why this desperation about credit from the system I never much rated?

I suppose it isn’t so much about credit, I have credentials
Damn craving for more laurels I will never rest on and smile!
I do smile, smile at who I was and am: this beloved self
This no self, no permanency, only eternity of states flowing into who I am

ANY MORE THAN THE WAY THINGS ARE

My Irish-Catholic friend published a book
About a world-famous Irish-Catholic poet
On a highly respected Irish-Catholic university press
And teaches college in a large, deeply Irish-Catholic city

I am a Swedenborgian
And even if I wrote a book about William Blake
There are no highly respected Swedenborgian university presses
Or big cities with prominent Swedenborgian populations

I have to think that all this matters
Isn’t it why my dissertation director counseled me not to write
About Swedenborg, for the sake of my career?

–“Academics don’t know, in fact, what they are suppressing”–

The dean of a Lutheran university confessed to me over breakfast
The General Secretary of a prominent interdenominational organization
Asked me over lunch why I am a Swedenborgian, meaning, I think,
“Why on earth are you a Swedenborgian?!”

Time was I believed that if I worked hard, became good at what I do
Success would be laid at my feet, not disappointment
It takes other things than being good at what I do
And I wonder that I am passed over for so many things I am good at

I am not asking for a leg-up toward success
Any more than is the way things are in this world
My Irish-Catholic friend is good at what he does
As am I, a Swedenborgian

BODHI DHARMA AND BORAT SUBSEQUENT MOVIEFILM

Bodhi Dharma meditated in front of a wall for nine years

I worry because I haven’t seen Borat Subsequent Moviefilm

Nor am I current in some things that count; I have not what I should have

And what counted for Bodhi Dharma? What should he have had

In his meditation during nine years in front of a wall

OK, so his culture was different

And meditation counted, counted maybe as much as

Borat Subsequent Moviefilm, a Lexus, what I should have

Bodhi Dharma aspired to a Shaolin Monastery, anyway

What Bodhi Dharma should have did not count to the Shaolin Monastery

I won’t say I want a life in which having does not count at all

But I will say I want a touchstone for our culture to scrape against

A touchstone to scrape against to evaluate our culture’s metal

I sure hope that Borat Subsequent Moviefilm will not scrape as gold

But I do fear that owning a Lexus would

Various and diverse ideologies coexist in the freedom our culture prizes

Meditation, a Lexus, Borat Subsequent Moviefilm coexist, compete as treasures of our hearts

Even in Christianity, having has infiltrated, called the prosperity gospel

With Jesus a mendicant and the gospel no one can serve God and mammon

And I am no mendicant, and I have not watched Borat Subsequent Moviefilm

Episodic prayer and meditation, episodic piano, and episodic happiness on a good day, I have

THE WASTE THAT DESCENDS UPON ME

I can’t practice with Depakote in me

Playing over the same wrong notes I know better

Before my nightly dose, and it’s all a waste after the pills

It’s only been 6 months since my last med adjustment

It was all a waste for 27 years before my p-doc took me off olanzapine

And I couldn’t play my embarrassed way through a single song

Finish a Tai Ch’i form and someone in the studio noticed

Me wearing a Harvard sweatshirt and asked me

About it and why I couldn’t get it

Now the fog clears in the morning like sleeping off a drunk

And I get back to the piano and the new charts I’m learning

For the new band I’m forming I think I can play in as if my old chops

Were still there, when I could play Bach’s Toccata in D-Minor

And now I’m stumbling through Little Wing after my 10PM meds

The Depakote I can’t play under the influence of or operate heavy machinery

And it’s only rote scales which I need anyway

After my nightly dose, the waste that descends upon me and my practice sessions

I can’t play under the influence of Depakote

Only write

GRADUATE STUDENT

I left my idealism somewhere

Back in early manhood, apprenticeship

For getting by only. 

My knees hurt

Not like they did before, to pay the bills

Dragged in rows by a Commercial Walk Behind Mower

All day

Isn’t it ironic that Wordsworth will sing of

Quarry workers singing as he

Wanders in his daffodils

Whitman will praise the common laborer As he loiters in the grass

The privations, the deprivations

The catalogue of things to do without

Logged into my bitterness–

Formerly an occupation–I try not to be bitter.

I read Hemingway to buoy my spirits–

His Catholic poverty in Paris,

His un-Christian feeling of superiority

Over the vague wealthy.  I guess I feel superior

Or try to feel superior to buoy my spirits.

The indignities,

The fear as I lie to a bill-collector,

Slough subordination,

Try to feel above it all.

To dignify the working class

Your sore knees

Must speak more than their pain—

The bills that demand this dignity

The landed idle

Still demand my money

As they loiter

In the end

I will have to forget

The laborious pain

Of achieving a place of less pain.

            Pain where?

Will I be able to forget adulthood?

When eternity speaks its demands.

ALL THE LAWS WE CALL LINGUISTIC

The words of the Rig Veda are chanted

The revelation that the Rishis heard

Rhythmic hymns that Sarasvati granted

Written down as sacred text and word

The Rishis have been called visionaries

In more than one textbook that I have found

Writing from Eurocentric theories

Which teach that vision is more spiritual than sound

Sarasvati, Goddess of music,

Revealed Her wisdom through the sense of hearing

When all the laws that we call linguistic

Were melody and music and singing

WITH US TOGETHER

I am better with us together

Better than I was when I was alone

We’re both better with each other

Than when each of us was only one

We two together made me make a start

Toward a new approach to the life I’m living

Which never would have happened when apart

Apart from you and all the life you’re giving

With us together, your life flows into my own

Your influence wore down my harsh self-assertion

As water’s current smooths adamantine stone

Or discordant edges in a person

Like a river’s constant, faithful current

You give me consistent affirmation,

My heart secure with your encouragement,

I work my dreams into manifestation

All with you and all because of you

I incarnate learning with confidence

Ever seeking teachings to help me grow

And guide my heart in spiritual ascendance

Our love is a crucible, burning

With refining fire that purifies

All our aspirations, all our learning

Rising to a finer us, to higher highs

NOVEMBER 2, 2020

The love poem I want to write tonight is superseded

Everything is superseded by a microdot on a piece of paper

A microdot in a timeline of chaos, flashpoint in history

In one single day, the anxiety will culminate in a vote

Four years of conflicted administration, conflicted nation

That broke out in outright civil war, bloody war

Wounds that haven’t healed in one hundred sixty years,

An outbreak breaking out in protests, riots, civil speech exhausted

Wealth disparity, despair, disinformation, lies

Pandemic denied in a pantomime economy

Destined for collapse through dying workers, denied workers

Dying jobs markets, dying for relief from a dead congress

All summed up in a microdot on a piece of paper

Destined for the ballot box—summation but not salvation

For the sins of our forefathers, writ into racial blood,

Radical divide, denied equal opportunity

EQUALITY

Fragmenting a national illusion persisting in a culture of cruelty

For outsiders, inside the inner-city blight in a nation

Of freedom for insiders, a segregation of insiders, by insiders, for insiders

White trashed lives whose sway they aim to own, even my own life

Had I not left town they would have kept me down, destined to be an outsider

Like my music partner from New Orleans who never did break in

I can’t leave all this undone, unsung—this division, this decision

In a pantomime economy, in a pandemic, in a microdot on a piece of paper

Just a microdot in a timeline of chaos

COOL

At first glance, I didn’t think he was cool

I scanned the committee, and none of them looked cool

I wondered what I was getting myself into

“They all look like nerds!” he exclaimed, surveying the hotel lobby

At the conference we were attending (before The Big Bang Theory made nerds cool)

“Careful,” I replied, “You’re going to spend your whole career with the likes of them.”

“Don’t tell me that.  I can’t hear that now.”

I did an online search of an old professor for whom I was a T.A. and was on familiar terms.

He was the coolest guy I ever knew and at a party in his house,

I noticed a book of French fabliaux in the bathroom

Now a well-published professor of Indology and a yoga teacher in Santa Barbara

Which I think is about as cool as you can get

But Carol looked at his picture, with his wild hair, and said she didn’t think so.

“You think Dave’s cool?!” my roommate to my other roommate—I the accusative case.

Carol grew up on a farm, which makes her as natural as a person could be

And nature is not involved with that which is cool

We may view a lion or a wild boar as regal

But we wouldn’t see them as possessed of what is cool

Nature has no airs, no trendy styles, no current fashions, is no poseur: the ground

Carol is genuine, real, authentic, natural, like the beanfields she hoed

Like the Tao’s breath of the valley spirit, the uncarved wood

And being together with Carol, what is cool evaporates like mist in the mountain valley

Time wears down that which is cool,

As age steals beauty of a certain kind

Jobs can have the effect of cool

“I was learning to drive a rig; I went for status.”

A big pick-up truck will suffice for cool if you can’t drive a rig

And workers of jobs that are cool look down on others

“It’s your fault that 20-somethings don’t want to work and live in their parents’ basement.”

“You academics are to blame for all that political correctness and the ‘woke’ movement,”

He, to me, and then vanished into his conspiracy theories

Wearing his ball cap; me, the accusative case, wearing my beret, he resented

“I’ll bet he doesn’t even work on his own car,” I heard someone declaim

My friend from Harvard laughed and laughed when he heard it

Resentment piles upon resentment as the professions pay

Little respect to pipe-fitters—which all comes down to a form of cool—

Hip-Hop booming from the speakers in their BMWs as they pass you on the road

I’ve never noticed a pig looking down on a horse

A rabbit insult a mouse; a mouse, a groundhog

An oak, a poplar; a flower, a thistle

Nor an ocean wave ostentatious, a thunder cloud pretentious

And when I walk in the woods, I’m not a Harvard graduate

And Carol opened the chicken-wire gate and walked around with the hens and roosters

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