DAINTY FLOWERS

I think you love those flowers because they’re small

So much that several times you showed them to me

I never would have noticed them at all

In fact, I wondered what it is you see

 

The tendrils are as thin as silken thread

And end in tiny flowers like white spray

So delicate it’s as if moonlight bled

Into dreams that bloom when angels pray

 

Outside of a coffee shop/bookstore

Different kinds of flowers have been planted

I recalled a chat I had before

Concerning certain flowers the owner wanted

 

She struggled trying to craft exact language

To paint a picture so my mind could see

The flowers that her memory kept in image

Even talking with her hands to show me

 

But she succeeded finally to convey

That what they meant especially to her,

Talking on the patio that day,

Was, as she put it, how dainty they were

 

Frost names flower types in his poetry

Like pale orchises and Rose Pogonias

Flowers aren’t objects of study for me

Their images aren’t in my ideas

 

Sometimes I ponder why they’re there at all

Why a random, pointless drive of nature

Would evolve some shape so beautiful

Don’t they argue for some kind of Maker?

 

Now, flowers bloom in my mentality

And delicate as moonlight tiny sprays

Grow in meaning for philosophy

Merit in heavy thought a rightful place

STANZAS

When feeling forms words into verse

Maybe sublime, poignant, punching powerful emotion, sad or happy, joy;–melancholy

It is a gamble

That the feeling reads through

That others would resonate or care about that feeling, want simpatico

 

It’s safer to arrange pretty words

In complex sequences ideation of symbols

To catch the eye on language games

The leaf of paper ink form word, language

 

In a hip-hop world

‘40’s music still sings to heartstrings

Beethoven yet storms and rages

In our world of facile rhyme and rhythm

 

Outmoded forms communicate despite form

With and through form

And contemporaneity’s distracting noise

Nor a suicidal retirement into the lost past

 

Then there’s just how you feel

And if it can find its way into

Song, music, rhythm, rhyme, word

That verse would mean something someone

Hears, reads, resonates, harmonizes

YOU ARE

You are a firm foundation; you are the earth

Grounding the mistic effervescent misting effusions empyreal emanations volcanic endeavors

Cathedralic manifestations in which this life is built

The mists that a meadow flower-field breathes

The flighty clouds that condense in floating skies

Arising from oceanic bedrock by creative days’ energetic fire

Testing the receptiveness of a sea of otherness boundless around me

You receive me always.  Listen, lift up, light up life

When those clouds amass dark and impend disaster

Then you say, “There is no disaster.”

 

I’ve gotten along alone a long time

Time and times and half a time

As have you, too—in this our separate lives shared

But as I am alone in my generative doings’ aspirations

Being Self

You are always with the alone self generative

 

Gratitude

I forget sometimes

What all is gifted me, indeed, all I have

And it’s a lot

(Though most would call my circumstances straightened)

The greatest gift a Gracious Creator has endowed me

And you give daily, through the years, in the moment

Of your own volition to me

Carol, I thank you

THE MEASURE OF MY GAIT

But for my body’s vibrancy

Lost from age

I feel time better and better

A tree grows high and wide with time

I know heights, now

I never knew in youth

I understand the way things work better, now in my tranquil maturity

Better than in my excited youth

The world and I sync better

Than my fits to plug into a system I wasn’t fit to engage

In my early becoming adult

So many questions I faced unaware

When to argue

When to articulate a novel thought to stand out before my teachers

The battle to be self at school or workplace seeming enforcing conformity

That moment when my professor said I’d better start thinking about a

different profession

provoked by my Marxist critique of Wordsworth’s IDIOT BOY

I really don’t know why I don’t fight anymore

Or why I used to

Or why I was never happy no matter where I lived: Ohio, Boston, Charlottesville, Florida

And my contentment, indeed happiness, now in Edmonton

And of the things I no longer let bother me:

Other people disagreeing with me

Things I have to get done yesterday

Whether people like me

Traffic, specifically tailgaters

I haven’t time nor energy nor inclination to disturb

Me and my peace

The breadth of my awareness

Expanded and expands still from youth’s constrictions:

Knowing largely the way it was always done

At home, hometown, Sunday School

Plain, innocent, not knowing things

I remember questioning the merits of my professor’s USC degree, me knowing only

UCLA

Making judgments is facile these days

The young’s flash and intensity of passion

Have calmed, calming me, contenting my present

 

There was that time when it all lay in front of me

So much to master, to conquer

Most of it’s past now

The challenges I’ve conquered, arts mastered to such as one may

(Though mastery knows no terminus)

I’ve laid my foundation, a good one

Upon which I stand, build, have built, refine, expand

I burst the bonds that have constrained my heart

As my soul breathes free, breaks free

 

The future doesn’t beckon anymore

Though I leisurely progress in cognition, will, behavior, refinement

Sensibility, sensitivity, sentiment, solidarity

I read now as much as talk

And today, W. H. Auden moved my sensibility, sense, cognition towards where I wasn’t before

And today I’m closer to the time when I’ll die

I ponder whether I’ll die well,

As I study to live well

 

My measured gait is not due to decrepitude

 

I carry the weight of my awareness,

Thoughts, contentedness, purpose, perceptions

Measuring my stride through life

Enraptured looking back, down from olding heights

From the altitude afforded by maturing on constrained behaviors,

On who I was, what I was, how I did what I did

The mysterious ascending current flowing toward my future

In the present’s contented, open mentation

And I will die well

POETRY: A LAMENT

A well-turned phrase

Captured sound of sense

Perfect expression of a truth

Wanting to be told

 

Clarity through word choice: diction

Sentence construction arrangement

Of ideas architectural development

Meaning made through artistry

 

Word play alliteration assonance

Rhythm rhyme resonance meter beat and feet

Imagery symbol simile metaphor

Epic, Allegory, Lyric, Ode, Elegy

 

Truth-telling when there was truth

If there ever was truth

Language scripting reality thought

Feeling words substance signification

 

When there was something to say

To grasp, ponder, moved sonorous sentiment emotion

Sad melancholy somber pleasure ecstasy

Pathos passion feeding and watering cultivation content

 

Transmission of wisdom, speculation, ideation of mood

Tradition taught sought lived into

What matters to be a human

Telos of poesis making humanity

 

When capricious arrangement of words

Wasn’t calculated to obfuscate deconstruct plot sequence

Rearranged syntax disjunct

Verbs subjects objects meaningless

THE EYES OF ALL NEED NOT WAIT UPON ME

He turned toward me

As if for comment, or what didn’t need to be said

To indict Borofsky’s words painted black on a white canvass

I want to be great

I, a Swedenborgian divinity student; he, a photographer married to a conceptual artist

 

The lust to be great is quite a thing different from what is

Great in se

Not likely to produce what is great

 

–What is great–

Greatness is a gift

Vibrational resonance on the sound-board heartstrings thrilling the ode

That is what is human

A gift to us all—co-cooperation—collective consciousness all-soul

That is we human solidarity together

It is great to share all together collected around

A Prime Mover of soul

As is to me Borofsky’s Hammering Man and Picasso’s Untitled in Chicago’s Daley Plaza

Condense what is human freely among the affairs of daily life

These are not what humans commonly thought are metrics of greatness

A publication, a work alive 100 years after the artist’s demise, to be a class in a university, a

critic’s nod, mass appeal

 

Peace breathes in the spirit attendant relaxation of the choke-hold that is

The lust for greatness

And insignificance be not a curse;

The eyes of all need not wait not upon me

The satisfactions of being a good man among our common men are great enough to sustain

To be happy with the faces that you meet

And perhaps to touch a soul or two or two or three among the faces that you meet

And to touch the sky in private

For you don’t have to be tall to see the moon

And to walk humbly with a soul or two or two or three

And to do justly, to love mercy, and to walk humbly with your God

QUESTIONS OF THE PITUITARY GLAND

What is appropriate in the young makes

What is not appropriate in later years appropriate for them

Ages of life pay their dues to time

Is it the body that counts age and appropriates ideals?

Makes youth intense and mellows age?

Questions of the pituitary gland

Maybe the body ticks time, but can it spawn behaviors?

Mentation, personality, development

Growth hormones dictate our humanity like the lives the three Moerae fated for all humans

Spinning the threads of who we will be

Tied up in bounds of determinism by the pituitary gland

 

Falstaff and Hal foreshadowing the youthful madcap role I played

In and out of the schoolbooks and classes, such a trope humanity scripted it in Elizabethan drama

Learning lessons of acquiescence in middle-age to gods that held my fate

Metamorphosis of the reading lists of my professors into bosses’ memos

Become pliant, compliant, indeed, obedient, to the machine I used to rage against

I wouldn’t say it was glandular as much as pecuniary forces

That forced me to slog through time in middling age

Chasing my dreams off the ambitious clock

Bouncing through relationships until one remains as if all along it was fate

 

And now, in arm-chair reflections of it all I ask questions of stories

The storied stages of humanity’s ageless morphology

The taxonomy of the human condition

Authored by us as one glimpse of the whole in the likes of Erikson, the psychologist—

Even the corpus of humanity’s iterations writ large upon our world literature

And I, a person, a representative man, following the trajectories as it seems to me are possible

Narrations of the human genome

FACES

“A man is another man’s face”

An observation I first saw in Michael Harper’s poetry 33 years past

I remember

And find time after time T. S. Eliot’s time

“To prepare a face to meet the faces that you meet.”

Eliot even put pale green make-up on his own

Public face

Mask, theatre

The laugh that guy put on in the blues bar

Which signified a laugh more than was one

Signifier, signifiée, semiotics

To my mind

A sign of distance from the center

Signifying

Too much bar

Too much beer

In the sound signifying a laugh that he put on

I was there that night in the blues bar, as so often

Remembering an intense, intensive week for me, year after year

Together face to face all day and into the night

And there’s no putting on of anything

Paulhaven Children’s Camp Pastor, Rec Staff, Cooks, Teens

Campfire, sacred flame, circle, singing

Sacred space, sacred time

They will always remember

Year after year until adulthood when youth and camp end, community yet remains

They remember

I will always remember

I remember

3AM conversations with a few staff around the campfire

When it all comes out

And there’s just us, talking, looking at the fire

And 3AM

But now it’s 3 AM in the blues bar, drinks done

Remembering the laugh that guy put on

The face I put on to meet the faces I meet when they compel a face from me

And the campfire burns only inside me

Behind the faces I now wear

Some Aphorisms and Questions

Who are the guardians of canon?  And by what criteria?  And who gives them their authority?

Poetry is that which cannot be expressed in prose.

Can a person sin who does not have a vocabulary in which that word is found?

Quit acting like COVID-19 is over!

Have you ever wondered, “Why is there a flower?”  And then, “Why does the flower delight?”–My pilgrimage from amoeba to Homo Sapiens Sapiens did not depend upon delicate pedals.

 

A RAKE’S PROGRESS: A COMEDY IN TWO ACTS

Prologue:

When you are the tempest

You don’t notice the gale

Swirling tumult menace

 

In the calming after the threat

You shudder at what could have been

Destruction skirting rash choices, obnoxious, noxious

Act I:

For this life it was long life in schools,

For others it could be other—say, family, workplace, working the land, art

My academic life so much this life, persistent

How I absorbed—no—consumed knowledge

Guided and goaded through many books, no one could count how many books

Reasoning, disputing, inquiring, assimilating, dissipating in pubs after class

Academic identity, subjects discussed, discussing how to discuss

 

Learning to learn to continue to learn

Living to learn at leisure and pleasure

Learning to grow trying on life, lives

Trying a Hemingwayesque character (to become a man), or The Artist as a Young Man,

evolving into self

Yet it wasn’t the schools, the books, for this, my life

Nor would it be family, workplace, working the land, art alone for others

In a critical life worth living, not unexamined—passing time unaware

 

To see in a single vision the course of a life

While karma is lived out of developmental stages

Surrounded, bounded, encased within

The facts, the academic style, the collegial camaraderie

Do not make the personality’s lasting completion

Make person, mark lasting brain synapses firmware

Within the encounter with environment, the contours of self are carved

Not necessarily unchanged but the self, persistent

Act II:

A seed, a stem, a blossom, growth—becoming

The single flower—but is it?

From raging adolescence into combative adulthood

Through economic cooperation vocation teamwork

Emergence: genuine caring, community, the other

The shell that was learning and environment

Husking through what becomes self-development

In fact, new self, though persisting

 

The process of my formal education was

But a shell in which I formed.

The facts, forms of knowing, interlocutor interactions

Outside, the self incubating within the process

How ill-suited I was for a serious academic career

Working through the karma of a developing self,

Headstrong, too sure of a developing self

Indifferent to social norms—“What have I to do with thee?”

The wisdom I acquired was not in the books—the many books, no one could count the books

But in the crucible the walls of which were the process of my education

Epilogue:

In the calming after the threat

You shudder at what could have been

Destruction skirting rash choices, noxious, obnoxious

 

A narrow escape from who I was

 

The wisdom I acquired, and did become and am becoming,

And decorum, more or less, contours of cooperation—no—eco-operation

In sync.  Sympatico become peaceful and am becoming peaceful, become peace

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