QUOTIDIAN IDIOTS

Most people use the word, “idiot,” and do not know it is a compliment. It means “self,” in Latin. An idiot is someone who is so totally unique that no one has ever seen the likes of them before. I call that a compliment!

I hope that people see me as an idiot. And if you, yourself, have ever felt like an idiot, The Dave says, “Good for you!”


When I paid my bill, Friday night, my server asked me, 
1) “What are you DOING here, if I may ask” and
2) “May I?” look at THE FOUR ELEMENTS: Seasons Bleeding into Existence.

I was stupefied that they read more than the first three sentences; my writing style is quite idiomatic to only me. 

Then, I asked them what they were doing for the remainder of the night. What followed was a stupendous, spectacular free-style slam verbal improvisation that riffed off of my story, mentioned tv by pixels and being pixilated (The Ghost and Mr Chicken, Don Knots), in short, going home and chilling. Chilling never sounded so stupendous.


I was stupefied, again, and sat silent with a stupid look on my face trying to process it all. I hope they felt idiotic, in a good way, because I assure you, I’d met a Realized Man, in the generic use of man, as German Mensch, which is a non-gendered noun. Girls can be Menschen.

Unfortunately, I did not have my poetry book on hand, LINES DRAWN AUTHENTIC: A Realized Man. But my server took the flyer for THE FOUR ELEMENTS, so they know how to reach me.

No way to work Jack Reacher into this.


For us, it’s not a matter of fitting in. It would do us damage to be the commodity that fits in–damage our oddity. We need to be Ionic, in the sense of Plato’s Ion, the artist. We need to be Ionic magnets and attract the likes of us to our own society, social structure. Let THEM fit in with US; if us and them is what it comes to. 

ENIGMATIC DR DAVE ENTERPRISES, PRELUDED–Sole Proprietorship.

SHINING WORDS

DEVI AND SHINING WORDS, Part 1: Poetry as an Aberrant Enterprise.


Ensconced pretty good at Remedy 124 Street but I’m writing without my glasses. I won’t see misspellings.

Right when I was fixing to write about poetry as an aberrant enterprise, my Sikh cab driver told me about “shining words.” The word for “shining” is “Devi” and that is what Hindus call Goddesses. For the very first time ever, I learned of the connection between Devi and Diwali. We’re pretty close to Diwali, if we’re not actually in it.

It’s a Festival of Light; it’s the Cosmic War of Light over Darkness. Those themes are in Christmas and Chanukah. In the darkest day of the year, we pray for Light to ultimately win. 

My driver told me of a Vice Prime Minister of India whose words shined so brightly that Queen Elizabeth listened when he spoke. His words shone so brightly that they attracted people’s attention. It was all I could do to keep quiet and listen. He spoke slowly. But that wasn’t it. I am a teacher and a Shayari-Poet. I’m in the business of generating and expressing words. It’s my bread and butter. Without words, you wouldn’t have a poem. Without a whole lot of words, I wouldn’t have a dissertation or a book.

But it can be an occupational hazard for us to tend to do all the talking, or to dominate the discourse in a conversation. You want us to, when you are reading our literature, or when you are in our class. But not in a social setting. We have to be shape-shifters.

So I reined myself in and listened to this soft-spoken, slow speaking elder Sikh, because I knew he had something I wanted to know, maybe needed to hear.

POETRY AS AN ABERRANT ENTERPRISE

The trouble with poetry is it’s writing. Writing is a form of saying. So to write, you have to say something. Probably, my readers, right about now, are going, “Duh–uh, of course.”

But think about it. A poet is always walking around everywhere trying to think up things to say. I call that a pretty aberrant way to go about your life.

This is going to wrap up Part 1. I have some teasers about Part 2, and Parts beyond.


1) When you’re thinking up things to say, there’s always the question, “What do I want to say.” When I see Bill on Whyte Avenue, my script is written for me: “Hi, Bill.” Not with Poetry. Do I want to say something about art and the creative process, itself? Writing about playing scales is like that: 

SOMETIMES IT COMES DOWN TO SCALES. 

Do I want to say something about life? Narrowing that, maybe about life when you’re broke ass? Running with that, maybe finding heartfelt glory in living when you’re broke ass? If that theme works, maybe Hemingway living broke ass in Paris as an early writer, saving up his money for an annual ski trip with his wife Hadley to Schruns would he a good way to get at that idea. In fact, it becomes


SCHRUNS AND ALL IT MEANS, 


which is a published poem in AWAKENINGS REVIEW. But before it is published, Sky Custer reads it in JT’s Bar and Grill at 1 am, they make a fist and goes, “YES!” takes a pic of my face with the poem next to it, asks me to dance, but I’m too shy, and through Sky Custer’s chain of connections, I meet Professor Blair Stonechild, at Indigenous University and author of “LOSS OF INDIGENOUS EDEN and the Fall of Spirituality,” and that book transformed my life! So thanks for liking my poem, Sky Custer, and sorry about the dance. 

2) It is true that Robert Frost said, “Poetry begins in a pang.” And Wordsworth calls poetry, “The still, sad music of humanity.” That’s fine and all except for any of those things to be a poem, it needs words. If it stayed a pang, and a pang only, it would not be a poem–it would be a hug. If it stayed the still, sad music of humanity, it would be an instrumental–maybe a symphony or ALL BLUES by Miles Davis. A poem qua poem (sorry) needs words. Words are all artificial and made up to mean this or that. There are no naturally-occurring words.
That’s what makes poetry an aberrant undertaking: we are forever thinking up things to say, and we gotta say them in words someone wants to read.


Just today, though, I heard shining words.

ENIGMATIC DR DAVE ENTERPRISES, PRELUDED


THE SAD SOCIETY YOU AND I WRITE IN

I dropped off my Poetry book, LINES DRAWN AUTHENTIC: A Realized Man, with a major bookstore national chain in my city. It is already in the online system, but this particular store in a big mall does not have it on their shelves. If they accept it, I will do a 2-day book signing.

I have my head on straight. The bookstore will be making a BUSINESS DECISION, only. They will decide if their customers would likely buy it–WHETHER IT WOULD SELL THERE.

I have confidence in the Literary value of my Art. I hope you do. I hope that you labor hard at Los’ Anvil–William Blake’s fictitious mythic giant symbolizing the Creative process. I hope you do not settle for less than as perfect as you can make your Art. That’s how I work.

So far, however, I’m about the only one who believes that my Art has significant meaning. It’s a hard place to be. Maybe it’s where you are, too?


It puts us in a hard place. The same place F. Scott Fitzgerald was in, and died in. THE GREAT GATSBY did not even sell out the first edition. Fitzgerald died thinking he was a failure as a serious writer. He WAS popular. He WAS rich. But he made most of his money writing comic short stories in magazines like our VANITY FAIR; or VOGUE. Not “great literature.”

Hemingway, his friend sold millions of books, was rich and famous, AND was considered a great Literary figure in his own lifetime. THE OLD MAN AND THE SEA won Hemingway a Nobel Prize. Fitzgerald had none of this. He was like most of us.

I don’t think I need to say that now, THE GREAT GATSBY is considered one of the great Literary works of the 20th Century. Equal with Hemingway’s best.

Too bad he didn’t know it. He was like most of us. With one difference:

I know that what I’m writing is a significant contribution to English literature. I’m the only one who knows it.

“The notes are the same in E”–Dr. Dave Fekete; “Rintrah.”

ENIGMATIC DR DAVE ENTERPRISES, PRELUDED

MY MUSE

MY MUSE is a hard taskmaster. Last summer, 2025, I just finished two books:

LINES DRAWN AUTHENTIC: A Realized Man

THE FOUR ELEMENTS: Seasons Bleeding into Existence 

     I thought it was time to relax and recuperate. The two books were 7 years in the making. But NO!

     My Muse called me to start a new, original project: a Quest. I have studied much in Quest Literature of Medieval Europe–particularly the various cycles of the Holy Grail Quest. I read several Grail accounts from different authors–each story rather different. The most famous Grail story is in Sir Thomas Malory. Jessie Weston in the Early Modern Period theorized that the Grail Quest happened on the Astral Plane! 

     My Muse called me to write a greater Quest. The Human Quest we all go through: birth through maturity to the next plane of existence. I wanted this work to be truly collaborative–my words and a visual artist. They and I would collaborate on what this Quest looks like in art form. 

     It would be truly original. This was not a book in which my poems were illustrated by their pictures. It was as much a visual artist’s book as it was a writer’s book. 

     I spoke with a small number of visual artists. Some said they’d think about it. Others rejected it outright. 

     I just realized Tuesday night (last night) that I am in the midst of the project, and it’s going to be all me. I have four new poems recently completed. I have a mine of more already written to draw on. Fate is tumbling me into making my own visual Art for the book, also. 

     Last summer, I came up with the title:

“A QUEST THROUGH QUESTIONS OF TIME”

     These missions are Destiny. It’s not like I can slough of not doing this. Circumstances are and I believe that they will make it manifest. 

     Currently, we see this as another picture book. Probably Trade Paperback. That will be 3 recent Art books.

ENIGMATIC DR DAVE ENTERPRISES, PRELUDED

I do music, too.

Screenshot

A RAKE’S PROGRESS: A COMEDY IN TWO ACTS

Prologue:

When you are the tempest

You don’t notice the gale

Swirling tumult menace

 

In the calming after the threat

You shudder at what could have been

Destruction skirting rash choices, obnoxious, noxious

Act I:

For this life it was long life in schools,

For others it could be other—say, family, workplace, working the land, art

My academic life so much this life, persistent

How I absorbed—no—consumed knowledge

Guided and goaded through many books, no one could count how many books

Reasoning, disputing, inquiring, assimilating, dissipating in pubs after class

Academic identity, subjects discussed, discussing how to discuss

 

Learning to learn to continue to learn

Living to learn at leisure and pleasure

Learning to grow trying on life, lives

Trying a Hemingwayesque character (to become a man), or The Artist as a Young Man,

evolving into self

Yet it wasn’t the schools, the books, for this, my life

Nor would it be family, workplace, working the land, art alone for others

In a critical life worth living, not unexamined—passing time unaware

 

To see in a single vision the course of a life

While karma is lived out of developmental stages

Surrounded, bounded, encased within

The facts, the academic style, the collegial camaraderie

Do not make the personality’s lasting completion

Make person, mark lasting brain synapses firmware

Within the encounter with environment, the contours of self are carved

Not necessarily unchanged but the self, persistent

Act II:

A seed, a stem, a blossom, growth—becoming

The single flower—but is it?

From raging adolescence into combative adulthood

Through economic cooperation vocation teamwork

Emergence: genuine caring, community, the other

The shell that was learning and environment

Husking through what becomes self-development

In fact, new self, though persisting

 

The process of my formal education was

But a shell in which I formed.

The facts, forms of knowing, interlocutor interactions

Outside, the self incubating within the process

How ill-suited I was for a serious academic career

Working through the karma of a developing self,

Headstrong, too sure of a developing self

Indifferent to social norms—“What have I to do with thee?”

The wisdom I acquired was not in the books—the many books, no one could count the books

But in the crucible the walls of which were the process of my education

Epilogue:

In the calming after the threat

You shudder at what could have been

Destruction skirting rash choices, noxious, obnoxious

 

A narrow escape from who I was

 

The wisdom I acquired, and did become and am becoming,

And decorum, more or less, contours of cooperation—no—eco-operation

In sync.  Sympatico become peaceful and am becoming peaceful, become peace

THE CITY IN COVID-19

The city is quiet

There are hardly any sirens

Traffic is lighter

When we go for walks

In the deserted park

Drivers wave as they pass

On the nearby roads

I dodge sparse people

In the grocery store

We decided to order take-out

From our favorite restaurant

At home, I write music, play and learn, record,

Read, and there are other projects, chores

But mostly I watch TV

Where I learn the latest about COVID-19

PARNASSUS

The Other World is too much with me

And not enough getting and spending

I live downtown, not high atop Parnassus

Though I do consort more with the muses

Than I do with the Dow Jones Industrials

I bask in Apollo’s rays

Even in the coldest economic climate

Nectar is the food of the gods

My food is peanut butter and jelly

My books, musical instruments, art

Content me with little cash

I’ve made calculations, estimations, projections

Playing Prometheus with my present, future, future finances

I’m alright, going to be alright