SHINING WORDS

DEVI AND SHINING WORDS, Part 1: Poetry as an Aberrant Enterprise.


Ensconced pretty good at Remedy 124 Street but I’m writing without my glasses. I won’t see misspellings.

Right when I was fixing to write about poetry as an aberrant enterprise, my Sikh cab driver told me about “shining words.” The word for “shining” is “Devi” and that is what Hindus call Goddesses. For the very first time ever, I learned of the connection between Devi and Diwali. We’re pretty close to Diwali, if we’re not actually in it.

It’s a Festival of Light; it’s the Cosmic War of Light over Darkness. Those themes are in Christmas and Chanukah. In the darkest day of the year, we pray for Light to ultimately win. 

My driver told me of a Vice Prime Minister of India whose words shined so brightly that Queen Elizabeth listened when he spoke. His words shone so brightly that they attracted people’s attention. It was all I could do to keep quiet and listen. He spoke slowly. But that wasn’t it. I am a teacher and a Shayari-Poet. I’m in the business of generating and expressing words. It’s my bread and butter. Without words, you wouldn’t have a poem. Without a whole lot of words, I wouldn’t have a dissertation or a book.

But it can be an occupational hazard for us to tend to do all the talking, or to dominate the discourse in a conversation. You want us to, when you are reading our literature, or when you are in our class. But not in a social setting. We have to be shape-shifters.

So I reined myself in and listened to this soft-spoken, slow speaking elder Sikh, because I knew he had something I wanted to know, maybe needed to hear.

POETRY AS AN ABERRANT ENTERPRISE

The trouble with poetry is it’s writing. Writing is a form of saying. So to write, you have to say something. Probably, my readers, right about now, are going, “Duh–uh, of course.”

But think about it. A poet is always walking around everywhere trying to think up things to say. I call that a pretty aberrant way to go about your life.

This is going to wrap up Part 1. I have some teasers about Part 2, and Parts beyond.


1) When you’re thinking up things to say, there’s always the question, “What do I want to say.” When I see Bill on Whyte Avenue, my script is written for me: “Hi, Bill.” Not with Poetry. Do I want to say something about art and the creative process, itself? Writing about playing scales is like that: 

SOMETIMES IT COMES DOWN TO SCALES. 

Do I want to say something about life? Narrowing that, maybe about life when you’re broke ass? Running with that, maybe finding heartfelt glory in living when you’re broke ass? If that theme works, maybe Hemingway living broke ass in Paris as an early writer, saving up his money for an annual ski trip with his wife Hadley to Schruns would he a good way to get at that idea. In fact, it becomes


SCHRUNS AND ALL IT MEANS, 


which is a published poem in AWAKENINGS REVIEW. But before it is published, Sky Custer reads it in JT’s Bar and Grill at 1 am, they make a fist and goes, “YES!” takes a pic of my face with the poem next to it, asks me to dance, but I’m too shy, and through Sky Custer’s chain of connections, I meet Professor Blair Stonechild, at Indigenous University and author of “LOSS OF INDIGENOUS EDEN and the Fall of Spirituality,” and that book transformed my life! So thanks for liking my poem, Sky Custer, and sorry about the dance. 

2) It is true that Robert Frost said, “Poetry begins in a pang.” And Wordsworth calls poetry, “The still, sad music of humanity.” That’s fine and all except for any of those things to be a poem, it needs words. If it stayed a pang, and a pang only, it would not be a poem–it would be a hug. If it stayed the still, sad music of humanity, it would be an instrumental–maybe a symphony or ALL BLUES by Miles Davis. A poem qua poem (sorry) needs words. Words are all artificial and made up to mean this or that. There are no naturally-occurring words.
That’s what makes poetry an aberrant undertaking: we are forever thinking up things to say, and we gotta say them in words someone wants to read.


Just today, though, I heard shining words.

ENIGMATIC DR DAVE ENTERPRISES, PRELUDED


MY MUSE

MY MUSE is a hard taskmaster. Last summer, 2025, I just finished two books:

LINES DRAWN AUTHENTIC: A Realized Man

THE FOUR ELEMENTS: Seasons Bleeding into Existence 

     I thought it was time to relax and recuperate. The two books were 7 years in the making. But NO!

     My Muse called me to start a new, original project: a Quest. I have studied much in Quest Literature of Medieval Europe–particularly the various cycles of the Holy Grail Quest. I read several Grail accounts from different authors–each story rather different. The most famous Grail story is in Sir Thomas Malory. Jessie Weston in the Early Modern Period theorized that the Grail Quest happened on the Astral Plane! 

     My Muse called me to write a greater Quest. The Human Quest we all go through: birth through maturity to the next plane of existence. I wanted this work to be truly collaborative–my words and a visual artist. They and I would collaborate on what this Quest looks like in art form. 

     It would be truly original. This was not a book in which my poems were illustrated by their pictures. It was as much a visual artist’s book as it was a writer’s book. 

     I spoke with a small number of visual artists. Some said they’d think about it. Others rejected it outright. 

     I just realized Tuesday night (last night) that I am in the midst of the project, and it’s going to be all me. I have four new poems recently completed. I have a mine of more already written to draw on. Fate is tumbling me into making my own visual Art for the book, also. 

     Last summer, I came up with the title:

“A QUEST THROUGH QUESTIONS OF TIME”

     These missions are Destiny. It’s not like I can slough of not doing this. Circumstances are and I believe that they will make it manifest. 

     Currently, we see this as another picture book. Probably Trade Paperback. That will be 3 recent Art books.

ENIGMATIC DR DAVE ENTERPRISES, PRELUDED

I do music, too.

Screenshot

Publishing Poetry

I just discovered an alarming factoid.  I perused the New Yorker magazine submissions page tonight.  They state that they do not accept poems that have been previously published.  INCLUDING POSTS ON PERSONAL WEB PAGES!  I read further and discovered that they do not publish previously published poems even if THEY HAVE BEEN DELETED FROM A WEB PAGE!  I put many of my new poems up here on my page.  But I now find that that precludes them from publication in the New Yorker.  Wow!  I’m certainly going to need to think about this in the future.

I’m not criticizing the New Yorker.  This is merely a public service announcement to all my cyber friends on the web.