PLOUGHMEN DIG NOT FOR ME

Businessmen do not drink my wine
The man in the suit has not bought a new car
From any profit he made off my dreams
Though dreams I have, have dreamed, dream

I’ve imbibed conventional wisdom’s grasp on the vitality of dreams
That dreams make a life out of otherwise existence
Aethereal dreams awaken into materiality, matter’s reality;–all real
Nobody can doubt the reality of a dream and live

One doesn’t dream in terms written by dollars and status
Defined in the lexicon legislated by ledger books
Businessmen withdraw from intangibles that weigh golden hopes
Dream reality resists materialism and yet materializes

Whole symphonies deconstruct as ones and zeros in a cloud somewhere
And Bach’s C-Moll Passacaglia is pulses of air
But digital scans and air differentials don’t explain to ears
The mystery that is a melody—even if construed through standing wave proportions

Sometimes my pen dreams in ink dots materializing on a musical staff
The keys on my piano reverberate beats my heart feels
Manifesting the immaterial into the physical world
While air waves question what they, themselves, are doing

At other times, words grow out of my consciousness
Planted in ink and tree pulp tending to a poem’s making
My pen glides across the blank, white sheet in dark lines
To become a dream of some distant reader in my mind: a virtual reality

Nobody pays me for my dreams.  No.
I grunt and sweat under a heavy timeclock on my back
No ploughman digs earth for me
I’ve dug my own footings on which the whole world is built for me

My grandmother told me I wasn’t very good at making money
When I was an impoverished grad student
Even now, I don’t make much money, nor have creditable prospects
Yet I’m good at making, dreaming, making dreams live

Making for me is as making money for businessmen
I’m good at living without much money, without much interest in making money
Dreams pay me more than dollars, when I have money
I lack really for nothing but dreams fulfill

THE MYSTICISM OF US

It’s a strange mysticism, about you
Sometimes it’s like you’re not another person
We’re so close, I’m you and you’re me, too
One current into which two streams run

There was a time before you, which was no time
Time began the time of our lives blending
The ordinary world became sublime
And moments, days, and years have no ending

That space in which the clock’s hands cease to move
Is when I’m with you; then time is our own
And we make heaven of our faith and love
In a kingdom bounded by our union

I got by before you, you before me
But time was meaningless; moments absent
Looking back, I see my life as empty
Successes seemed so unimportant

All that changed when you dawned like the sun
On the darkest morning of the year
And our two lives intertwined into one
Each in each other makes our heaven here

WINTER INDOORS

Outside, the snow witnesses the cold
Early on the clock, darkness falls
This, the Solstice, the year’s darkest day
When we anticipate the coming of Light

The light of a small candle flame
Set before a Sarasvati statuette, Goddess
For students, musicians, poets; for me
In my indoors, today, I contemplate poetry

Made not of special poetic language only
Or a language obfuscated out of meaning
Rather, rhetoric coalesced around meaning
Truth in perfect words

Musings shining in my small Christmas tree’s lights
Every cloth gnome, owl, snowman, and mouse on it a gift
A cup of tea on the end-table next me
A pad of paper, my favorite pen, and ink on the page

Settling into a season I’m reluctant to accept
Seeing it coming in the early autumn sunset
On an outdoor patio of a favorite coffee shop
Thinking, then, about the candle, cup of tea, Christmas lights

Just as well, I don’t have any money
And COVID has closed most businesses
Locked us down, mandated us homebound
I take refreshment in the piercing candle flame

COFFEE HOUSE

Way back, I went to one Coffee House
Folk music, acoustic guitar, harpsichord
Hot chocolate, and coffee; dim lights
The only Coffee House I ever went to

            they don’t have them, now

Simon and Garfunkel; Peter, Paul, and Mary
And there was Dylan—Coffee Houses and folk music
Poetic, political, sensitive, intellectual, gently passionate
Or so I hear, but for the one I experienced

            passing away as I came of age

I knew rock concerts in stadia, electric, loud
I went to them when they were underground
(Jethro Tull barely filled the cement floor with folding chairs)
Now rock concerts, rock-stars are mainstream industry

            underground surfacing into pop-culture dominance

Music calling to my youthful intentions heavy and I followed
Bore down on scales, arpeggios, mambos, and fugues
Theory filled my interests; I practiced hours daily in late youth
Until two roads diverged; I divested my passion of full-time art work

            conscious submerging into secret recesses, private

In maturity I must modulate my practice time
Rest and build up piano-specific muscles otherwise unused
Not unlike the arthritis in the great E. Power Biggs’ Bach fingers
My wrists, shoulder, hurt, ribs stiffen

            to replay scales, chords, changes

Modulation of effort’s tonality
Depressing keys, depressing decrepitude
Making music’s exercise caution
Within all this beauty, this duet of body and keystroke

            we all call music in our cultural forms’ venues

I recently checked out a new club
I couldn’t follow any pattern to the loud bass tones
A woman wrapped herself in a flag while singing
A song I couldn’t pick out any real melody: only notes

            looks like things are going that way now

I went in and out of a club
Lights flashing, beats oscillating
I think they call it Techno
Bodies bumping into shots dancing

            Looks like things are going that way now

PRECIPITATE

In the chemistry lab
I have observed solids
Precipitate out of solutions
Flaking out of liquid

Watched many different precipitates
Float down, materializing solids
Emerge out of dissolved
State into solidity, precipitate

And snowflakes are precipitates
When supersaturated air chills
Water crystalizes into solid
Flakes lilting in air

Beautiful, floating, dancing swirls
Render in me peace
Watching out my window
The delicate descending snowflakes

Just a chemical precipitate
Like any other solid
Flaking out of solution
In the chem lab

Depending on the eye
What will be seen?
Snowflakes, called a precipitate,
Crystalline flakes dreamily falling

Drifting flakes’ floating beauty
Chemical equations possess beauty
Conceptually considered intellectual beauty
Reflecting the flakes’ beauty

Not that magical spell
Snowflakes cast on me
Watching out my window
Through my peaceful mind

ON THE ACUPUNCTURE TABLE

Challenge

It is a challenge for me,
As and because I so often challenge myself,
To lie and not move on an acupuncture table
With fine needles in meridians for 40 minutes

Challenging, to do nothing, motionless, for 40 minutes
And what do I have to do?  Shift?  Watch TV, motionless on the couch?
I heal and restore ch’i flow, prone for 40 minutes
My mind blanks and goes I don’t know where, stress relieves

The Hindu Balason Nithya healer scanned me with her third eye and said
I put pressure on myself (she almost said, “stress,” and corrected it)
Her insight astounded me; her call, so right
(Though her guru, Paramahamsa Nithyananda, fled India on rape charges)

I can’t seem to rest and go about the task at hand
Always there are new challenges, a new way to
Make myself anxious, upset, disappointed, with accomplishment’s attempts
And also elated, thrilled, satisfied, with accomplishment

But I’ve been all that before, even in my early 20’s
When I once wrote that I’ve had it all enough for proud contentment
Then, the Balasonic observation manifests again in me—probably
Why it’s hard to lie motionless on the acupuncture table for 40 minutes

Salve

It is, perhaps, something different
To configure my consciousness for happiness
And even as I ponder this, happiness cracks through dour
Cracks through pressure upon the self

Since that happiness nature gifted me
Abruptly caved with bipolar depression
And dancing through the day stumbled
Crashing pleasant drives to do, drive crashed

Craving accomplishment as its own only reward
(I had nothing else)—the ordinary happiness
Gifted us all by nature that made bartenders glad to see me
Such a dance, too, made it difficult to be still

Passive knowing supplanting activity begetting
Now that conscious configuration of consciousness requisite
To render happiness.  And why not crack through dour?
(Without getting into too much trouble)

As a madcap without Hal’s royal safeguard
Can engender, has engendered, by this cutup
When I fancied myself my own legislator
Endearing trouble to this now reflexology of mirth

Reflecting that mirth be a matter of adjustment
Of only consciousness, and it may be that Creative Energy
Is configured toward our several happiness, all
If we but configure toward Its end

THE PLACARD’S LIE

I recall a placard
That said a knight’s
First charge was to
Protect the Catholic Church

I knew this was
Is wrong.  Knights protected
Their liege.  Only Templars
Protected the Catholic Church

This placard was in
A museum of armor
In a city dominated
By the Catholic Church

On my birthday my
Girlfriend surprised me and
Took me to that
Museum because she knew

How much I loved
The Chivalric Romance genre
From a Harvard course
I was taking then

What still bothers me
Is why that placard
Misrepresented what is true
In that Catholic city

PAS DE DEUX: MY DANCE WITH THE MACHINE: A COMEDY IN THREE ACTS

Any More Than The Way Things Are

My Irish-Catholic friend published a book
About a world-famous Irish-Catholic poet
On a highly respected Irish-Catholic university press
And teaches college in a large, deeply Irish-Catholic city

I am a Swedenborgian
And even if I wrote a book about William Blake
There are no highly respected Swedenborgian university presses
Or big cities with prominent Swedenborgian populations

I have to think that all this matters
Isn’t it why my dissertation director counseled me not to write
About Swedenborg, for the sake of my career?

–“Academics don’t know, in fact, what they are suppressing”–

The dean of a Lutheran university confessed to me over breakfast
The General Secretary of a prominent interdenominational organization
Asked me over lunch why I am a Swedenborgian, meaning, I think,
“Why on earth are you a Swedenborgian?!”

Time was I believed that if I worked hard, became good at what I do
Success would be laid at my feet, not disappointment
It takes other things than being good at what I do
And I wonder that I am passed over for so many things I am good at

I am not asking for a leg-up toward success
Any more than is the way things are in this world
My Irish-Catholic friend is good at what he does
As am I, a Swedenborgian

Disappointment

Disappointment only descends upon failed ambitions
More than just getting your hopes up, as, for example, winning The Lottery
Expectations in general that fall through
Especially ambitions’ realization evaporating as one watches

Years pass, the doors close on what could have been
Out of time; out a life; a lifetime passed by
They say Reike can heal time—the past, present, what will be
Which is a different understanding of time that I know

Carol tells me that she has no ambitions, never did
My mother wonders where mine came from, since
Neither she nor Dad craved other than their work, homelife

–Nor credited me with success—

There’s something so real about Carol, which echoes back to a place I once was
I take it her upbringing on a farm
Where dirt and the harvest cycle are as real as it gets
Formed her out of the dust of the earth

The blanched suburbia of my impoverished culture
The shallow depths I almost drowned in
The neglect and torment my nascent family ignored and inflicted
Perhaps conspired to inspire my drive to reach for what my hand never grasped

I don’t know if Carol knows my disappointment
She has come to terms with riches she will never own
Guess it is not for me to posit where I would be
Why I continue to reach; I think Carol likes it

Some Glad Morning

I raged against the machine and did my own thing
Cultivating the garden that is my soul: wisdom, love
I didn’t care if they groomed me for success
Or if they said that I was just a fool

And so, my self found development in accord with aspiration’s beckon
Ever evolving aspirations leading my meandering pathway. I am pleased.
So why do I want that machine against which I raged
Now to bless me, sanctify my works with recognition and acclaim?

I wouldn’t say that I resisted playing ball with it all
I wasn’t in it for the game.  Karma drove my play
More than systemic machinations: I never felt like

–A cog in something turning, never cared to—

I followed and worked through my karma: the issues and stages
I got out of my system, that were me, became what is not me
Yet not another; self—the salve and the wound
The problem and the solution, the lock and the key

I suppose I made too much of eternity
Some told me I was too old to be thinking like that
And yet, I am old now and had better be thinking like that
So why this desperation about credit from the system I never much rated?

I suppose it isn’t so much about credit, I have credentials
Damn craving for more laurels I will never rest on and smile!
I do smile, smile at who I was and am: this beloved self
This no self, no permanency, only eternity of states flowing into who I am

ANY MORE THAN THE WAY THINGS ARE

My Irish-Catholic friend published a book
About a world-famous Irish-Catholic poet
On a highly respected Irish-Catholic university press
And teaches college in a large, deeply Irish-Catholic city

I am a Swedenborgian
And even if I wrote a book about William Blake
There are no highly respected Swedenborgian university presses
Or big cities with prominent Swedenborgian populations

I have to think that all this matters
Isn’t it why my dissertation director counseled me not to write
About Swedenborg, for the sake of my career?

–“Academics don’t know, in fact, what they are suppressing”–

The dean of a Lutheran university confessed to me over breakfast
The General Secretary of a prominent interdenominational organization
Asked me over lunch why I am a Swedenborgian, meaning, I think,
“Why on earth are you a Swedenborgian?!”

Time was I believed that if I worked hard, became good at what I do
Success would be laid at my feet, not disappointment
It takes other things than being good at what I do
And I wonder that I am passed over for so many things I am good at

I am not asking for a leg-up toward success
Any more than is the way things are in this world
My Irish-Catholic friend is good at what he does
As am I, a Swedenborgian

BODHI DHARMA AND BORAT SUBSEQUENT MOVIEFILM

Bodhi Dharma meditated in front of a wall for nine years

I worry because I haven’t seen Borat Subsequent Moviefilm

Nor am I current in some things that count; I have not what I should have

And what counted for Bodhi Dharma? What should he have had

In his meditation during nine years in front of a wall

OK, so his culture was different

And meditation counted, counted maybe as much as

Borat Subsequent Moviefilm, a Lexus, what I should have

Bodhi Dharma aspired to a Shaolin Monastery, anyway

What Bodhi Dharma should have did not count to the Shaolin Monastery

I won’t say I want a life in which having does not count at all

But I will say I want a touchstone for our culture to scrape against

A touchstone to scrape against to evaluate our culture’s metal

I sure hope that Borat Subsequent Moviefilm will not scrape as gold

But I do fear that owning a Lexus would

Various and diverse ideologies coexist in the freedom our culture prizes

Meditation, a Lexus, Borat Subsequent Moviefilm coexist, compete as treasures of our hearts

Even in Christianity, having has infiltrated, called the prosperity gospel

With Jesus a mendicant and the gospel no one can serve God and mammon

And I am no mendicant, and I have not watched Borat Subsequent Moviefilm

Episodic prayer and meditation, episodic piano, and episodic happiness on a good day, I have

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