ACCOMPANIMENT/ ARRANGEMENT PART BY ITSELF

COMPOSING THE ARRANGEMENT TO “SO LONG AGO, SO FAR FROM HERE.

Songs are not just melodies and chords: they all have a rhythmic “groove.” The groove is the rhythmic “pattern” that contains the melody and chords.

This video is about my process making the groove, the arrangement for SO LONG AGO, SO FAR FROM HERE. I started the arrangement in 1988, and just yesterday continued it. I composed the arrangement using music theory without a musical instrument. But I could not compose the song, itself, without a musical instrument. Beethoven could; he would bring a musical notebook with him on walks in Nature.

SO LONG AGO, SO FAR FROM HERE–Original Song

I wrote SO LONG AGO, SO FAR FROM HERE in about 1988. I was in the Ph.D. Program at University of Virginia. I grew up in suburban Detroit, moved to Ohio, moved to Boston, moved to Ohio, felt really dislocated, friendless, amounted to nothing at 33, a stranger.

This is the song, which still needs a professional recording with full instrumentation.

WE NEED ANOTHER HERO, Fiction–Heartfelt, Tearful, Conclusion.

WE NEED ANOTHER HERO, Fiction–Part 3.

WE NEED ANOTHER HERO, Fiction–Part 2

WE NEED ANOTHER HERO, Fiction–Part 1

QUOTIDIAN IDIOTS

Most people use the word, “idiot,” and do not know it is a compliment. It means “self,” in Latin. An idiot is someone who is so totally unique that no one has ever seen the likes of them before. I call that a compliment!

I hope that people see me as an idiot. And if you, yourself, have ever felt like an idiot, The Dave says, “Good for you!”


When I paid my bill, Friday night, my server asked me, 
1) “What are you DOING here, if I may ask” and
2) “May I?” look at THE FOUR ELEMENTS: Seasons Bleeding into Existence.

I was stupefied that they read more than the first three sentences; my writing style is quite idiomatic to only me. 

Then, I asked them what they were doing for the remainder of the night. What followed was a stupendous, spectacular free-style slam verbal improvisation that riffed off of my story, mentioned tv by pixels and being pixilated (The Ghost and Mr Chicken, Don Knots), in short, going home and chilling. Chilling never sounded so stupendous.


I was stupefied, again, and sat silent with a stupid look on my face trying to process it all. I hope they felt idiotic, in a good way, because I assure you, I’d met a Realized Man, in the generic use of man, as German Mensch, which is a non-gendered noun. Girls can be Menschen.

Unfortunately, I did not have my poetry book on hand, LINES DRAWN AUTHENTIC: A Realized Man. But my server took the flyer for THE FOUR ELEMENTS, so they know how to reach me.

No way to work Jack Reacher into this.


For us, it’s not a matter of fitting in. It would do us damage to be the commodity that fits in–damage our oddity. We need to be Ionic, in the sense of Plato’s Ion, the artist. We need to be Ionic magnets and attract the likes of us to our own society, social structure. Let THEM fit in with US; if us and them is what it comes to. 

ENIGMATIC DR DAVE ENTERPRISES, PRELUDED–Sole Proprietorship.

SHINING WORDS

DEVI AND SHINING WORDS, Part 1: Poetry as an Aberrant Enterprise.


Ensconced pretty good at Remedy 124 Street but I’m writing without my glasses. I won’t see misspellings.

Right when I was fixing to write about poetry as an aberrant enterprise, my Sikh cab driver told me about “shining words.” The word for “shining” is “Devi” and that is what Hindus call Goddesses. For the very first time ever, I learned of the connection between Devi and Diwali. We’re pretty close to Diwali, if we’re not actually in it.

It’s a Festival of Light; it’s the Cosmic War of Light over Darkness. Those themes are in Christmas and Chanukah. In the darkest day of the year, we pray for Light to ultimately win. 

My driver told me of a Vice Prime Minister of India whose words shined so brightly that Queen Elizabeth listened when he spoke. His words shone so brightly that they attracted people’s attention. It was all I could do to keep quiet and listen. He spoke slowly. But that wasn’t it. I am a teacher and a Shayari-Poet. I’m in the business of generating and expressing words. It’s my bread and butter. Without words, you wouldn’t have a poem. Without a whole lot of words, I wouldn’t have a dissertation or a book.

But it can be an occupational hazard for us to tend to do all the talking, or to dominate the discourse in a conversation. You want us to, when you are reading our literature, or when you are in our class. But not in a social setting. We have to be shape-shifters.

So I reined myself in and listened to this soft-spoken, slow speaking elder Sikh, because I knew he had something I wanted to know, maybe needed to hear.

POETRY AS AN ABERRANT ENTERPRISE

The trouble with poetry is it’s writing. Writing is a form of saying. So to write, you have to say something. Probably, my readers, right about now, are going, “Duh–uh, of course.”

But think about it. A poet is always walking around everywhere trying to think up things to say. I call that a pretty aberrant way to go about your life.

This is going to wrap up Part 1. I have some teasers about Part 2, and Parts beyond.


1) When you’re thinking up things to say, there’s always the question, “What do I want to say.” When I see Bill on Whyte Avenue, my script is written for me: “Hi, Bill.” Not with Poetry. Do I want to say something about art and the creative process, itself? Writing about playing scales is like that: 

SOMETIMES IT COMES DOWN TO SCALES. 

Do I want to say something about life? Narrowing that, maybe about life when you’re broke ass? Running with that, maybe finding heartfelt glory in living when you’re broke ass? If that theme works, maybe Hemingway living broke ass in Paris as an early writer, saving up his money for an annual ski trip with his wife Hadley to Schruns would he a good way to get at that idea. In fact, it becomes


SCHRUNS AND ALL IT MEANS, 


which is a published poem in AWAKENINGS REVIEW. But before it is published, Sky Custer reads it in JT’s Bar and Grill at 1 am, they make a fist and goes, “YES!” takes a pic of my face with the poem next to it, asks me to dance, but I’m too shy, and through Sky Custer’s chain of connections, I meet Professor Blair Stonechild, at Indigenous University and author of “LOSS OF INDIGENOUS EDEN and the Fall of Spirituality,” and that book transformed my life! So thanks for liking my poem, Sky Custer, and sorry about the dance. 

2) It is true that Robert Frost said, “Poetry begins in a pang.” And Wordsworth calls poetry, “The still, sad music of humanity.” That’s fine and all except for any of those things to be a poem, it needs words. If it stayed a pang, and a pang only, it would not be a poem–it would be a hug. If it stayed the still, sad music of humanity, it would be an instrumental–maybe a symphony or ALL BLUES by Miles Davis. A poem qua poem (sorry) needs words. Words are all artificial and made up to mean this or that. There are no naturally-occurring words.
That’s what makes poetry an aberrant undertaking: we are forever thinking up things to say, and we gotta say them in words someone wants to read.


Just today, though, I heard shining words.

ENIGMATIC DR DAVE ENTERPRISES, PRELUDED


EXACTLY THE SAME PLACE I WAS IN 20 YEARS AGO

EXACTLY WHERE I WAS 20 YEARS AGO: homeless, friendless, stuck in a bedroom in someone’s home who doesn’t want me there. Except in 2006, it was a church member who didn’t wsnt me in their home, and I was starting what I believed to be a promising new career as a Pastor. Now, I’m unemployed, and the church hasn’t employed a Pastor–it’s sat vacant 3 years.

Previous Older Entries